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| Title: | 田山花袋『生』 : 〈老いゆく/病みゆく身体〉の生成と排除 |
| Other Titles: | Origination and Exclusion of Aging / Declining Body : Tayama Katai's Sei |
| Authors: | 倉田, 容子 |
| Authors (alternative): | KURATA, Yoko |
| NCID: | AA11391754 |
| Journal Title: | ジェンダー研究 : お茶の水女子大学ジェンダー研究センター年報 |
| Volume: | 11 |
| Start Page: | 41 |
| End Page: | 53 |
| ISSN: | 13450638 |
| Issue Date: | 2008-03 |
| Publisher: | お茶の水女子大学ジェンダー研究センター |
| Abstract: | This paper aims to consider the image of women's aging / declining body through the study of Tayama Katai's Sei (1908). It will inquire as to how this image originated, and how it came to be excluded from the concept of modern family. Sei has been presented in the genealogy of naturalism literature as an experimental work in the current of 'Heimen-byosha' which is Katai's original theory. On the other hand, it has been interpreted as a work representing the process of reorganization of the family image during the conversion period near the turn of the 20^<th> century. Reconsidering such researches, I examine the controversial topic of women's aging which appears as a nodal point in the history of expression and image of the family; in this novel, the representation of the aged women's body image as a patient. First, I reexamine the aged mother's transition inside her family from the viewpoint of the contemporary legal discourse, and then clarify the connection with its representation in this novel. Finally I prove the paradigm shift regarding 'aging' as prescribed by imperialism. |
| Type: | Departmental Bulletin Paper |
| Appears in Collections: | 11
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Please use this identifier to cite or link to this item:
http://hdl.handle.net/10083/35291
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