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These works belong to the genre of serenata; however, they do not have the same designation at all. Actually, these designations are \u0027festa teatrale\u0027, \u0027azione teatrale\u0027, \u0027componimento drammatico\u0027, and \u0027serenata\u0027. This thesis discusses these differrent designations. Did the contemporary librettists, the composer (Gluck), and the audience recognize the difference among the designations? The court poet Metastasio who wrote 4 works changed at least the style of the serenata according to its designation. On the whole, the audience perceived that these serenatas were \u0027little operas\u0027. On the other hand, Gluck\u0027s autographs of 6 works have been lost entirely. Therefore, we are unable to know Gluck understood the designations as a composer, when he delivered his works from the librettists to the audience. The stylistic study will clear up this problem. It will also elucidate the relations between Gluck\u0027s serenatas and \u0027azione teatrale\u0027 \u003cOrfeo ed Euridice\u003e (3 acts), which was produced in 1762 an\\\nd evaluated as a \u0027reform opera\u0027.", "subitem_description_type": "Abstract"}]}, "item_11_full_name_2": {"attribute_name": "著者(ヨミ)", "attribute_value_mlt": [{"nameIdentifiers": [{"nameIdentifier": "66753", "nameIdentifierScheme": "WEKO"}], "names": [{"name": "カギヤマ, ユミ"}]}]}, "item_11_publisher_36": {"attribute_name": "出版者", "attribute_value_mlt": [{"subitem_publisher": "お茶の水音楽研究会"}]}, "item_11_source_id_11": {"attribute_name": "書誌レコードID", "attribute_value_mlt": [{"subitem_source_identifier": "AA11438246", "subitem_source_identifier_type": "NCID"}]}, "item_11_source_id_9": {"attribute_name": "ISSN", "attribute_value_mlt": [{"subitem_source_identifier": "1344672X", "subitem_source_identifier_type": "ISSN"}]}, "item_11_subject_20": {"attribute_name": "日本十進分類法", "attribute_value_mlt": [{"subitem_subject": "760", "subitem_subject_scheme": "NDC"}]}, "item_11_text_18": {"attribute_name": "形態", "attribute_value_mlt": [{"subitem_text_value": "992776 bytes"}]}, "item_11_text_47": {"attribute_name": "資源タイプ・ローカル", "attribute_value_mlt": [{"subitem_text_value": "紀要論文"}]}, "item_11_text_48": {"attribute_name": "資源タイプ・NII", "attribute_value_mlt": [{"subitem_text_value": "Departmental Bulletin Paper"}]}, "item_11_text_49": {"attribute_name": "資源タイプ・DCMI", "attribute_value_mlt": [{"subitem_text_value": "text"}]}, "item_11_text_50": {"attribute_name": "資源タイプ・ローカル表示コード", "attribute_value_mlt": [{"subitem_text_value": "03"}]}, "item_creator": {"attribute_name": "著者", "attribute_type": "creator", "attribute_value_mlt": [{"creatorNames": [{"creatorName": "鍵山, 由美"}], "nameIdentifiers": [{"nameIdentifier": "66752", "nameIdentifierScheme": "WEKO"}]}, {"creatorNames": [{"creatorName": "KAGIYAMA, Yumi", "creatorNameLang": "en"}], "nameIdentifiers": [{"nameIdentifier": "66754", "nameIdentifierScheme": "WEKO"}]}]}, "item_files": {"attribute_name": "ファイル情報", "attribute_type": "file", "attribute_value_mlt": [{"accessrole": "open_date", "date": [{"dateType": "Available", "dateValue": "2018-04-19"}], "displaytype": "detail", "download_preview_message": "", "file_order": 0, "filename": "KJ00004857922.pdf", "filesize": [{"value": "992.8 kB"}], "format": "application/pdf", "future_date_message": "", "is_thumbnail": false, "licensetype": "license_free", "mimetype": "application/pdf", "size": 992800.0, "url": {"label": "KJ00004857922.pdf", "url": "https://teapot.lib.ocha.ac.jp/record/33888/files/KJ00004857922.pdf"}, "version_id": "3b6890aa-be75-4775-a6a5-2407f4a7115c"}]}, "item_language": {"attribute_name": "言語", "attribute_value_mlt": [{"subitem_language": "jpn"}]}, "item_resource_type": {"attribute_name": "資源タイプ", "attribute_value_mlt": [{"resourcetype": "departmental bulletin paper", "resourceuri": "http://purl.org/coar/resource_type/c_6501"}]}, "item_title": "ウィーンで初演されたグルックの1幕構成のセレナータ : ジャンル表記に関する試論", "item_titles": {"attribute_name": "タイトル", "attribute_value_mlt": [{"subitem_title": "ウィーンで初演されたグルックの1幕構成のセレナータ : ジャンル表記に関する試論"}, {"subitem_title": "A study of Gluck\u0027s one-act Viennese serenatas", "subitem_title_language": "en"}]}, "item_type_id": "11", "owner": "1", "path": ["490"], "permalink_uri": "http://hdl.handle.net/10083/4578", "pubdate": {"attribute_name": "公開日", "attribute_value": "2008-06-10"}, "publish_date": "2008-06-10", "publish_status": "0", "recid": "33888", "relation": {}, "relation_version_is_last": true, "title": ["ウィーンで初演されたグルックの1幕構成のセレナータ : ジャンル表記に関する試論"], "weko_shared_id": null}
ウィーンで初演されたグルックの1幕構成のセレナータ : ジャンル表記に関する試論
http://hdl.handle.net/10083/4578
http://hdl.handle.net/10083/45783cba969d-d2ea-49c1-a8d0-3a20c761f8a0
名前 / ファイル | ライセンス | アクション |
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KJ00004857922.pdf (992.8 kB)
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Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
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公開日 | 2008-06-10 | |||||
タイトル | ||||||
タイトル | ウィーンで初演されたグルックの1幕構成のセレナータ : ジャンル表記に関する試論 | |||||
タイトル | ||||||
言語 | en | |||||
タイトル | A study of Gluck's one-act Viennese serenatas | |||||
言語 | ||||||
言語 | jpn | |||||
資源タイプ | ||||||
資源 | http://purl.org/coar/resource_type/c_6501 | |||||
タイプ | departmental bulletin paper | |||||
著者 |
鍵山, 由美
× 鍵山, 由美× KAGIYAMA, Yumi |
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著者(ヨミ) | ||||||
識別子 | 66753 | |||||
識別子Scheme | WEKO | |||||
姓名 | カギヤマ, ユミ | |||||
抄録 | ||||||
内容記述タイプ | Abstract | |||||
内容記述 | Christoph Willibald Gluck composed 6 one-act works in Vienna, which are occasional works praising the Imperial family. These works belong to the genre of serenata; however, they do not have the same designation at all. Actually, these designations are 'festa teatrale', 'azione teatrale', 'componimento drammatico', and 'serenata'. This thesis discusses these differrent designations. Did the contemporary librettists, the composer (Gluck), and the audience recognize the difference among the designations? The court poet Metastasio who wrote 4 works changed at least the style of the serenata according to its designation. On the whole, the audience perceived that these serenatas were 'little operas'. On the other hand, Gluck's autographs of 6 works have been lost entirely. Therefore, we are unable to know Gluck understood the designations as a composer, when he delivered his works from the librettists to the audience. The stylistic study will clear up this problem. It will also elucidate the relations between Gluck's serenatas and 'azione teatrale' <Orfeo ed Euridice> (3 acts), which was produced in 1762 an\ d evaluated as a 'reform opera'. |
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書誌情報 |
お茶の水音楽論集 巻 2, p. 39-59, 発行日 2000-04 |
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ISSN | ||||||
収録物識別子タイプ | ISSN | |||||
収録物識別子 | 1344672X | |||||
書誌レコードID | ||||||
収録物識別子タイプ | NCID | |||||
収録物識別子 | AA11438246 | |||||
フォーマット | ||||||
内容記述タイプ | Other | |||||
内容記述 | application/pdf | |||||
形態 | ||||||
992776 bytes | ||||||
日本十進分類法 | ||||||
主題Scheme | NDC | |||||
主題 | 760 | |||||
出版者 | ||||||
出版者 | お茶の水音楽研究会 | |||||
資源タイプ | ||||||
内容記述タイプ | Other | |||||
内容記述 | 紀要論文 | |||||
資源タイプ・ローカル | ||||||
紀要論文 | ||||||
資源タイプ・NII | ||||||
Departmental Bulletin Paper | ||||||
資源タイプ・DCMI | ||||||
text | ||||||
資源タイプ・ローカル表示コード | ||||||
03 |