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中上健次『十九歳のジェイコブ』 : ジャズ表象をめぐって
http://hdl.handle.net/10083/34695
http://hdl.handle.net/10083/3469536268f31-d019-4155-8e23-fbd1b60f5756
名前 / ファイル | ライセンス | アクション |
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57_(6-1)-(6-9).pdf (1.3 MB)
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Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
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公開日 | 2009-07-23 | |||||
タイトル | ||||||
タイトル | 中上健次『十九歳のジェイコブ』 : ジャズ表象をめぐって | |||||
タイトル | ||||||
言語 | en | |||||
タイトル | Jazz as Symbolism in Nakagami Kenji's “Nineteen year old Jacob” | |||||
言語 | ||||||
言語 | jpn | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | ジャズ表象 | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | フリー・ジャズ | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | モダンジャズ喫茶店 | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | 一九六八年 | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | ねじれ構造 | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | symbolic use of jazz | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | free jazz | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | modern jazz café | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | the year of 1968 | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | distorted structure | |||||
資源タイプ | ||||||
資源 | http://purl.org/coar/resource_type/c_6501 | |||||
タイプ | departmental bulletin paper | |||||
著者 |
菅原(須賀), 真以子
× 菅原(須賀), 真以子× SUGAHARA, Maiko |
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抄録 | ||||||
内容記述タイプ | Abstract | |||||
内容記述 | Contemporary Japanese novelist Nakagami Kenji (1946-1992) is known to have made repeated allusions to jazz music in essays and interviews. However, his symbolic use of jazz music is, as a rule, limited to his early works. “ Nineteen year old Jacob ”, as one of his later works (published serially from 1978 to 1980), is an exception. This work depicts young people in the time Nakagami himself, as an adolescent, was actually listening to jazz; specifically, from 1960 to the early 1970s. The period̶1968 and the surrounding years̶saw the feverish peak of student activism in Japan. On the international scale, there were a variety of political movements, and the arts were evolving in new directions. “ Nineteen year old Jacob ” can be positioned as Nakagami's attempt, ten years on, to re-examine the actions of the youth of the period, which included the author himself. In this paper, I analyse the novel in the context of jazz music as symbolising 1968 movements, and I discuss Nakagami's treatment of this time period. | |||||
書誌情報 |
人間文化創成科学論叢 巻 11, p. 6.1-6.9, 発行日 2009-03-31 |
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ISSN | ||||||
収録物識別子タイプ | ISSN | |||||
収録物識別子 | 13448013 | |||||
書誌レコードID | ||||||
収録物識別子タイプ | NCID | |||||
収録物識別子 | AA1231891X | |||||
フォーマット | ||||||
内容記述タイプ | Other | |||||
内容記述 | application/pdf | |||||
形態 | ||||||
1292254 bytes | ||||||
日本十進分類法 | ||||||
主題Scheme | NDC | |||||
主題 | 051 | |||||
出版者 | ||||||
出版者 | お茶の水女子大学大学院人間文化創成科学研究科 | |||||
資源タイプ | ||||||
内容記述タイプ | Other | |||||
内容記述 | 紀要論文 | |||||
資源タイプ・ローカル | ||||||
紀要論文 | ||||||
資源タイプ・NII | ||||||
Departmental Bulletin Paper | ||||||
資源タイプ・DCMI | ||||||
text | ||||||
資源タイプ・ローカル表示コード | ||||||
03 | ||||||
所属 | ||||||
国際日本学専攻 |