2024-03-29T07:58:13Z
https://teapot.lib.ocha.ac.jp/oai
oai:teapot.lib.ocha.ac.jp:00041465
2022-12-12T05:46:59Z
347:378:2195
ニジンスキー《春の祭典》(1913年)の受容とその評価
The reception and the evaluation of Nijinsky’s Le Sacre du Printemps (1913)
佐藤, 真知子
SATO, Machiko
Vaslav Nijinsky
Le Sacre du Printemps
Les Ballets Russes
choreography
review
紀要論文
The aim of this study is to clarify how Nijinsky’s choreography, Le Sacre du Printemps was
accepted and evaluated by the Parisians, through the analysis of reviews published from the premiere
performance date to the early following year in France. This investigation adopts two methods. One is
Quantitative Contents Analysis, which calculates the appearance frequency of the words, and the other
is Contents Analysis to confirm the phase of the arguing points.
The results are as follows: 1)The reviews contained pros and cons during the performance period, 2)
the music and the movement attracted of the audience, and the evaluations changed over time, 3)the
most characteristic review is of Jacques Rivière, which showed a particularly strong positive view.
Further developing the analysis, it was concluded that Le Sacre provoked the Parisians to reconsider
the conventional idea of the dancing body. Nijinsky’s choreography received negative comments from
the conservative critics who regarded dance as a symbol of civilized human body. On the other hand,
liberal people such as Rivière eventually refute a value of expressiveness in natural and uncivilized
human body. Therefore, Le Sacre was accepted as a pioneer of new dance, broaden the idea of the
dancing body.
お茶の水女子大学大学院人間文化創成科学研究科
2018-03-31
jpn
departmental bulletin paper
http://hdl.handle.net/10083/00062269
https://teapot.lib.ocha.ac.jp/records/41465
AA1231891X
人間文化創成科学論叢
20
59
68
https://teapot.lib.ocha.ac.jp/record/41465/files/7_sato_59-68.pdf
application/pdf
425.9 kB
2018-06-27