{"created":"2021-11-19T01:33:56.992763+00:00","id":2000301,"links":{},"metadata":{"_buckets":{"deposit":"e77c2469-33e4-4334-a089-c803a6c6a8f1"},"_deposit":{"id":"2000301","owners":[1],"pid":{"revision_id":0,"type":"depid","value":"2000301"},"status":"published"},"_oai":{"id":"oai:teapot.lib.ocha.ac.jp:02000301","sets":["347:378:1637139011453"]},"author_link":[],"control_number":"2000301","item_11_biblio_info_8":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2021-03-31","bibliographicIssueDateType":"Issued"},"bibliographicPageEnd":"20","bibliographicPageStart":"11","bibliographicVolumeNumber":"23","bibliographic_titles":[{"bibliographic_title":"人間文化創成科学論叢","bibliographic_titleLang":"ja"},{"bibliographic_title":"Journal of the Graduate School of Humanities and Sciences","bibliographic_titleLang":"en"}]}]},"item_11_description_6":{"attribute_name":"抄録","attribute_value_mlt":[{"subitem_description":"Le but de ces recherches est de clarifier la façon de mettre en musique de la sonorité du texte dans « Placet futile », second des Trois poèmes de Stéphane Mallarmé （1913） composé par Claude Debussy. Les études précédentes de cette pièce, comme les autres études de la mélodie, ont tendance à aborder la question du point de vue de la sémantique. Cependant notre étude se focalisera plus sur le son surtout sur la phonétique. Car la sonorité du texte doit être considérée comme un élément de la musique.\nD’abord nous avons converti le texte de Mallarmé en API et nous avons examiné l’arrangement des phonèmes. Cela nous　a permis de montrer que chaque strophe a son propre ton qui est produit par l’utilisation de certains phonèmes et que certaines syllabes ressortent par le contraste des phonèmes qui ont des caractèristiques différentes.\nEnsuite nous avons analysé, à partir de plusieurs points de vue, la mélodie de Debussy afin de mieux comprendre comment le compositeur traita ces caractèristiques du texte.\nEn conclusion, notre analyse montre que Debussy exprima délicatement la sonorité du texte dans sa composition avec le rythme, la durée et la hauteur des notes et l’harmonie.","subitem_description_language":"fr","subitem_description_type":"Abstract"}]},"item_11_identifier_registration":{"attribute_name":"ID登録","attribute_value_mlt":[{"subitem_identifier_reg_text":"10.24567/0002000301","subitem_identifier_reg_type":"JaLC"}]},"item_11_publisher_36":{"attribute_name":"出版者","attribute_value_mlt":[{"subitem_publisher":"お茶の水女子大学大学院人間文化創成科学研究科"}]},"item_11_source_id_11":{"attribute_name":"書誌レコードID","attribute_value_mlt":[{"subitem_source_identifier":"AA1231891X","subitem_source_identifier_type":"NCID"}]},"item_1623395637221":{"attribute_name":"出版タイプ","attribute_value_mlt":[{"subitem_version_resource":"VoR"}]},"item_access_right":{"attribute_name":"アクセス権","attribute_value_mlt":[{"subitem_access_right":"open access","subitem_access_right_uri":"http://purl.org/coar/access_right/c_abf2"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"小阪, 亜矢子","creatorNameLang":"ja"},{"creatorName":"KOSAKA, Ayako","creatorNameLang":"en"}]}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_access","date":[{"dateType":"Available","dateValue":"2021-11-19"}],"filename":"ronso23_02_KOSAKA.pdf","filesize":[{"value":"721 KB"}],"format":"application/pdf","license_note":"※PDFファイル内の文字はコピーできません","licensetype":"license_note","mimetype":"application/pdf","url":{"url":"https://teapot.lib.ocha.ac.jp/record/2000301/files/ronso23_02_KOSAKA.pdf"},"version_id":"f7c48949-26c1-4d7b-a04a-ba5d3170356a"}]},"item_keyword":{"attribute_name":"キーワード","attribute_value_mlt":[{"subitem_subject":"クロード・ドビュッシー","subitem_subject_language":"ja","subitem_subject_scheme":"Other"},{"subitem_subject":"ステファーヌ・マラルメ","subitem_subject_language":"ja","subitem_subject_scheme":"Other"},{"subitem_subject":"フランス近代歌曲","subitem_subject_language":"ja","subitem_subject_scheme":"Other"},{"subitem_subject":"詩","subitem_subject_language":"ja","subitem_subject_scheme":"Other"},{"subitem_subject":"音素","subitem_subject_language":"ja","subitem_subject_scheme":"Other"},{"subitem_subject":"Claude Debussy","subitem_subject_language":"fr","subitem_subject_scheme":"Other"},{"subitem_subject":"Stéphae Mallarmé","subitem_subject_language":"fr","subitem_subject_scheme":"Other"},{"subitem_subject":"mélodie française moderne","subitem_subject_language":"fr","subitem_subject_scheme":"Other"},{"subitem_subject":"poème","subitem_subject_language":"fr","subitem_subject_scheme":"Other"},{"subitem_subject":"phonème","subitem_subject_language":"fr","subitem_subject_scheme":"Other"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"departmental bulletin paper","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"ドビュッシー《ステファーヌ・マラルメの3つの詩》第2曲〈あだなる願い〉におけるテクストの音楽化","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"ドビュッシー《ステファーヌ・マラルメの3つの詩》第2曲〈あだなる願い〉におけるテクストの音楽化","subitem_title_language":"ja"},{"subitem_title":"Mise en musique de la sonorite du texte dans ≪Placet futile≫second des Trois poèmes de Stéphane Mallarmé, de Claude Debussy","subitem_title_language":"fr"}]},"item_type_id":"11","owner":"1","path":["1637139011453"],"pubdate":{"attribute_name":"PubDate","attribute_value":"2021-11-18"},"publish_date":"2021-11-18","publish_status":"0","recid":"2000301","relation_version_is_last":true,"title":["ドビュッシー《ステファーヌ・マラルメの3つの詩》第2曲〈あだなる願い〉におけるテクストの音楽化"],"weko_creator_id":"1","weko_shared_id":-1},"updated":"2022-12-12T06:14:51.821826+00:00"}