{"created":"2021-11-19T01:34:02.599780+00:00","id":2000304,"links":{},"metadata":{"_buckets":{"deposit":"be12c4e6-1b25-4aa3-b275-23b40c927dae"},"_deposit":{"id":"2000304","owners":[1],"pid":{"revision_id":0,"type":"depid","value":"2000304"},"status":"published"},"_oai":{"id":"oai:teapot.lib.ocha.ac.jp:02000304","sets":["347:378:1637139011453"]},"author_link":[],"control_number":"2000304","item_11_biblio_info_8":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2021-03-31","bibliographicIssueDateType":"Issued"},"bibliographicPageEnd":"49","bibliographicPageStart":"41","bibliographicVolumeNumber":"23","bibliographic_titles":[{"bibliographic_title":"人間文化創成科学論叢","bibliographic_titleLang":"ja"},{"bibliographic_title":"Journal of the Graduate School of Humanities and Sciences","bibliographic_titleLang":"en"}]}]},"item_11_description_6":{"attribute_name":"抄録","attribute_value_mlt":[{"subitem_description":"This paper aims to clarify how declamatory vocal melodies connect with the dramatic effect in Verdiʼs Simon Boccanegra （1881） by focusing on the influence of the melodyʼs musical elements on performance.\nResearchers have argued that the declamatory vocal melodies in this work were performed for dramatic effect. However, it is unclear how the musical elements of declamatory vocal melodies affect performance expression and create this dramatic effect.\nFirst, I classified each melody referred as “declamation” to see how it reflects poetry versification and Italian intonation by interval, the difference in duration between notes, and velocity. I then categorized the orchestral parts into seven textures which were frequently used for particular situations. Subsequently, I\nexamined how the combinations of these classifications work in actual scenes.\nBy analyzing two scenes, I found that the interval and duration between notes in declamatory melodies vary for dramatic situations, not always reflecting versification or intonation within. Further, situations or moods are indicated by orchestral arrangements.\nIn conclusion, Verdi expresses, through the musical elements of vocal melodies, not only intonation or versification but also the tone of characters’ speech. Moreover, melodies that lack language intonation have the function that a singerʼs performance makes more voluntarily.","subitem_description_language":"en","subitem_description_type":"Abstract"}]},"item_11_identifier_registration":{"attribute_name":"ID登録","attribute_value_mlt":[{"subitem_identifier_reg_text":"10.24567/0002000304","subitem_identifier_reg_type":"JaLC"}]},"item_11_publisher_36":{"attribute_name":"出版者","attribute_value_mlt":[{"subitem_publisher":"お茶の水女子大学大学院人間文化創成科学研究科"}]},"item_11_source_id_11":{"attribute_name":"書誌レコードID","attribute_value_mlt":[{"subitem_source_identifier":"AA1231891X","subitem_source_identifier_type":"NCID"}]},"item_1623395637221":{"attribute_name":"出版タイプ","attribute_value_mlt":[{"subitem_version_resource":"VoR"}]},"item_access_right":{"attribute_name":"アクセス権","attribute_value_mlt":[{"subitem_access_right":"open access","subitem_access_right_uri":"http://purl.org/coar/access_right/c_abf2"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"林, いのり","creatorNameLang":"ja"},{"creatorName":"HAYASHI, Inori","creatorNameLang":"en"}]}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_access","date":[{"dateType":"Available","dateValue":"2021-11-19"}],"filename":"ronso23_05_HAYASHI.pdf","filesize":[{"value":"772 KB"}],"format":"application/pdf","license_note":"※PDFファイル内の文字はコピーできません","licensetype":"license_note","mimetype":"application/pdf","url":{"url":"https://teapot.lib.ocha.ac.jp/record/2000304/files/ronso23_05_HAYASHI.pdf"},"version_id":"7be71ef8-2d6f-4441-a94f-c2defab76149"}]},"item_keyword":{"attribute_name":"キーワード","attribute_value_mlt":[{"subitem_subject":"ジュゼッペ・ヴェルディ","subitem_subject_language":"ja","subitem_subject_scheme":"Other"},{"subitem_subject":"《シモン・ボッカネグラ》","subitem_subject_language":"ja","subitem_subject_scheme":"Other"},{"subitem_subject":"演奏","subitem_subject_language":"ja","subitem_subject_scheme":"Other"},{"subitem_subject":"歌唱旋律","subitem_subject_language":"ja","subitem_subject_scheme":"Other"},{"subitem_subject":"朗唱","subitem_subject_language":"ja","subitem_subject_scheme":"Other"},{"subitem_subject":"Giuseppe Verdi","subitem_subject_language":"en","subitem_subject_scheme":"Other"},{"subitem_subject":"Simon Boccanegra","subitem_subject_language":"en","subitem_subject_scheme":"Other"},{"subitem_subject":"performance","subitem_subject_language":"en","subitem_subject_scheme":"Other"},{"subitem_subject":"vocal melody","subitem_subject_language":"en","subitem_subject_scheme":"Other"},{"subitem_subject":"declamation","subitem_subject_language":"en","subitem_subject_scheme":"Other"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"departmental bulletin paper","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"歌劇《シモン・ボッカネグラ》における朗唱の劇的な機能―歌唱旋律の音楽的要素と劇的な表現の関連に注目して―","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"歌劇《シモン・ボッカネグラ》における朗唱の劇的な機能―歌唱旋律の音楽的要素と劇的な表現の関連に注目して―","subitem_title_language":"ja"},{"subitem_title":"Dramatic effect of declamation inVerdiʼs Simon Boccanegra The relationship between musical elements of vocal melodies and dramatic expressions","subitem_title_language":"en"}]},"item_type_id":"11","owner":"1","path":["1637139011453"],"pubdate":{"attribute_name":"PubDate","attribute_value":"2021-11-18"},"publish_date":"2021-11-18","publish_status":"0","recid":"2000304","relation_version_is_last":true,"title":["歌劇《シモン・ボッカネグラ》における朗唱の劇的な機能―歌唱旋律の音楽的要素と劇的な表現の関連に注目して―"],"weko_creator_id":"1","weko_shared_id":-1},"updated":"2022-12-12T06:14:53.502286+00:00"}