{"created":"2022-07-20T04:46:27.209131+00:00","id":2000518,"links":{},"metadata":{"_buckets":{"deposit":"17f62b65-2b9c-4f3f-9a05-c6ac408c9b8f"},"_deposit":{"id":"2000518","owners":[1],"pid":{"revision_id":0,"type":"depid","value":"2000518"},"status":"published"},"_oai":{"id":"oai:teapot.lib.ocha.ac.jp:02000518","sets":["347:378:1658225592391"]},"author_link":[],"control_number":"2000518","item_11_biblio_info_8":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2022-03-31","bibliographicIssueDateType":"Issued"},"bibliographicPageEnd":"48","bibliographicPageStart":"39","bibliographicVolumeNumber":"24","bibliographic_titles":[{"bibliographic_title":"人間文化創成科学論叢","bibliographic_titleLang":"ja"},{"bibliographic_title":"Journal of the Graduate School of Humanities and Sciences","bibliographic_titleLang":"en"}]}]},"item_11_description_6":{"attribute_name":"抄録","attribute_value_mlt":[{"subitem_description":"This paper traces the piano fingerings by Johannes Brahms（1833-1897）focusing on the usage of the\nthumb in his piano works. The author has examined ‘Variationen über ein eigenes Thema’ （op.21-1, 1862）, “4\nKlavierstücke” No.3 ‘Intermezzo’（ op.119-3, 1893）, and “51 Übungen für Klavier”（ WoO 6, 1893）. The analysis\nmakes it clear that Brahms was continuously using the thumb and second finger pattern, and the finger\nsliding technique of the thumb, throughout his life. Brahms's fingerings in his piano works are characterized\nby three points. First, his fingerings are efficient, which require minimal movement of the fingers and hands.\nSecond, Brahmsʼs fingerings often highlight the melodic line and the important notes in the accompaniment\nvoice. Third, by using the thumb, he emphasizes the meter and pulse, thus facilitating performance effects,\nsuch as legato and leggiero. On the contrary, since “51 Übungen” is composed for training purposes, it\nincludes the same finger patterns but also uses rarely encountered movements and hand positions. Brahms\nwas apparently aiming for a natural piano technique through the deliberately directed fingerings in his piano\nworks.","subitem_description_language":"en","subitem_description_type":"Abstract"}]},"item_11_identifier_registration":{"attribute_name":"ID登録","attribute_value_mlt":[{"subitem_identifier_reg_text":"10.24567/0002000518","subitem_identifier_reg_type":"JaLC"}]},"item_11_publisher_36":{"attribute_name":"出版者","attribute_value_mlt":[{"subitem_publisher":"お茶の水女子大学大学院人間文化創成科学研究科"}]},"item_11_source_id_11":{"attribute_name":"書誌レコードID","attribute_value_mlt":[{"subitem_source_identifier":"AA1231891X","subitem_source_identifier_type":"NCID"}]},"item_1623395637221":{"attribute_name":"出版タイプ","attribute_value_mlt":[{"subitem_version_resource":"VoR"}]},"item_access_right":{"attribute_name":"アクセス権","attribute_value_mlt":[{"subitem_access_right":"open access","subitem_access_right_uri":"http://purl.org/coar/access_right/c_abf2"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"中谷, 路子","creatorNameLang":"ja"},{"creatorName":"NAKATANI, Michiko","creatorNameLang":"en"}]}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_access","date":[{"dateType":"Available","dateValue":"2022-07-20"}],"filename":"ronso_24_05_nakatani.pdf","format":"application/pdf","license_note":"※PDFファイル内の文字はコピーできません","licensetype":"license_note","mimetype":"application/pdf","url":{"url":"https://teapot.lib.ocha.ac.jp/record/2000518/files/ronso_24_05_nakatani.pdf"},"version_id":"b0b481de-6069-4723-a19b-20106865657e"}]},"item_keyword":{"attribute_name":"キーワード","attribute_value_mlt":[{"subitem_subject":"ブラームス","subitem_subject_language":"ja","subitem_subject_scheme":"Other"},{"subitem_subject":"運指法","subitem_subject_language":"ja","subitem_subject_scheme":"Other"},{"subitem_subject":"自作主題による変奏曲","subitem_subject_language":"ja","subitem_subject_scheme":"Other"},{"subitem_subject":"四つの小品","subitem_subject_language":"ja","subitem_subject_scheme":"Other"},{"subitem_subject":"51の練習曲","subitem_subject_language":"ja","subitem_subject_scheme":"Other"},{"subitem_subject":"Brahms","subitem_subject_language":"en","subitem_subject_scheme":"Other"},{"subitem_subject":"Fingerings","subitem_subject_language":"en","subitem_subject_scheme":"Other"},{"subitem_subject":"Variationen über ein eigenes Thema","subitem_subject_language":"de","subitem_subject_scheme":"Other"},{"subitem_subject":"4 Klavierstücke","subitem_subject_language":"de","subitem_subject_scheme":"Other"},{"subitem_subject":"51 Übungen","subitem_subject_language":"de","subitem_subject_scheme":"Other"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"departmental bulletin paper","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"J. ブラームスの運指―ピアノ独奏曲と《51の練習曲》WoO 6での第一指に注目して―","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"J. ブラームスの運指―ピアノ独奏曲と《51の練習曲》WoO 6での第一指に注目して―","subitem_title_language":"ja"},{"subitem_title":"The Fingerings of J. Brahms\nFocusing on the thumb in his piano solo works and “51 Übungen für Klavier” WoO 6","subitem_title_language":"en"}]},"item_type_id":"11","owner":"1","path":["1658225592391"],"pubdate":{"attribute_name":"PubDate","attribute_value":"2022-07-20"},"publish_date":"2022-07-20","publish_status":"0","recid":"2000518","relation_version_is_last":true,"title":["J. ブラームスの運指―ピアノ独奏曲と《51の練習曲》WoO 6での第一指に注目して―"],"weko_creator_id":"1","weko_shared_id":-1},"updated":"2022-12-12T06:14:10.573461+00:00"}