{"created":"2023-04-28T06:22:21.703978+00:00","id":2003519,"links":{},"metadata":{"_buckets":{"deposit":"0ca85c87-ab45-41c6-8ef1-5b98a48123b5"},"_deposit":{"id":"2003519","owners":[1],"pid":{"revision_id":0,"type":"depid","value":"2003519"},"status":"published"},"_oai":{"id":"oai:teapot.lib.ocha.ac.jp:02003519","sets":["347:378:1682569342136"]},"author_link":[],"control_number":"2003519","item_11_biblio_info_8":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2023-03-31","bibliographicIssueDateType":"Issued"},"bibliographicPageEnd":"35","bibliographicPageStart":"25","bibliographicVolumeNumber":"25","bibliographic_titles":[{"bibliographic_title":"人間文化創成科学論叢","bibliographic_titleLang":"ja"},{"bibliographic_title":"Journal of the Graduate School of Humanities and Sciences","bibliographic_titleLang":"en"}]}]},"item_11_description_6":{"attribute_name":"抄録","attribute_value_mlt":[{"subitem_description":"Tobias Matthay was a leading British piano technique theorist, pianist, and piano teacher in the early 20th century. He systematized the modern piano technique used by Chopin and other virtuosos （Oochi 2002:20） and established a new method of describing the muscular conditions of piano playing. This paper focuses on his main work The Act of Touch and attempts to clarify their contents and how he arrived at his method of describing the muscular conditions.\n As a result, it becomes clear that Matthay tried to demonstrate that touch can realized a variety of tones by classifying the states of activity and relaxation of muscles functionally and presenting the tones as a combination of them. Previous studies regarded his theory as systematizing a new method of playing that utilized the weight of the upper limb by means of relaxation, as opposed to the finger technique that prevailed in the previous century（ Boardman 1954:118）. However, this study reveals that his theory had at its core the use of muscle activity and relaxation.","subitem_description_language":"de","subitem_description_type":"Abstract"}]},"item_11_identifier_registration":{"attribute_name":"ID登録","attribute_value_mlt":[{"subitem_identifier_reg_text":"10.24567/0002003519","subitem_identifier_reg_type":"JaLC"}]},"item_11_publisher_36":{"attribute_name":"出版者","attribute_value_mlt":[{"subitem_publisher":"お茶の水女子大学大学院人間文化創成科学研究科","subitem_publisher_language":"ja"}]},"item_11_source_id_11":{"attribute_name":"書誌レコードID","attribute_value_mlt":[{"subitem_source_identifier":"AA1231891X","subitem_source_identifier_type":"NCID"}]},"item_1623395637221":{"attribute_name":"出版タイプ","attribute_value_mlt":[{"subitem_version_resource":"VoR"}]},"item_access_right":{"attribute_name":"アクセス権","attribute_value_mlt":[{"subitem_access_right":"open access","subitem_access_right_uri":"http://purl.org/coar/access_right/c_abf2"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"山田, 真理子","creatorNameLang":"ja"},{"creatorName":"YAMADA, Mariko","creatorNameLang":"en"}]}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_access","date":[{"dateType":"Available","dateValue":"2023-04-28"}],"displaytype":"detail","filename":"ronso_25_03_yamada.pdf","format":"application/pdf","license_note":"※PDFファイル内の文字はコピーできません","licensetype":"license_note","mimetype":"application/pdf","url":{"objectType":"fulltext","url":"https://teapot.lib.ocha.ac.jp/record/2003519/files/ronso_25_03_yamada.pdf"},"version_id":"6c36779f-86c4-4437-a682-4438426583af"}]},"item_keyword":{"attribute_name":"キーワード","attribute_value_mlt":[{"subitem_subject":"トバイアス・マテイ","subitem_subject_language":"ja","subitem_subject_scheme":"Other"},{"subitem_subject":"ピアノ奏法","subitem_subject_language":"ja","subitem_subject_scheme":"Other"},{"subitem_subject":"パフォーマンス研究","subitem_subject_language":"ja","subitem_subject_scheme":"Other"},{"subitem_subject":"タッチ","subitem_subject_language":"ja","subitem_subject_scheme":"Other"},{"subitem_subject":"重量奏法","subitem_subject_language":"ja","subitem_subject_scheme":"Other"},{"subitem_subject":"Tobias Matthay","subitem_subject_language":"de","subitem_subject_scheme":"Other"},{"subitem_subject":"piano playing","subitem_subject_language":"en","subitem_subject_scheme":"Other"},{"subitem_subject":"performance studies","subitem_subject_language":"en","subitem_subject_scheme":"Other"},{"subitem_subject":"touch","subitem_subject_language":"en","subitem_subject_scheme":"Other"},{"subitem_subject":"relaxation school","subitem_subject_language":"en","subitem_subject_scheme":"Other"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"departmental bulletin paper","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"トバイアス・マテイ著『タッチの動作』（1903）における演奏論\n―「筋肉の状態」の分類という手法に着目して―","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"トバイアス・マテイ著『タッチの動作』（1903）における演奏論\n―「筋肉の状態」の分類という手法に着目して―","subitem_title_language":"ja"},{"subitem_title":"A Performance Theory in The Act of Touch by Tobias Matthay\nFocusing on his method of classifying muscle conditions","subitem_title_language":"de"}]},"item_type_id":"11","owner":"1","path":["1682569342136"],"pubdate":{"attribute_name":"PubDate","attribute_value":"2023-04-28"},"publish_date":"2023-04-28","publish_status":"0","recid":"2003519","relation_version_is_last":true,"title":["トバイアス・マテイ著『タッチの動作』（1903）における演奏論\n―「筋肉の状態」の分類という手法に着目して―"],"weko_creator_id":"1","weko_shared_id":-1},"updated":"2023-04-28T06:29:41.358476+00:00"}