{"created":"2024-04-12T06:55:57.650326+00:00","id":2004153,"links":{},"metadata":{"_buckets":{"deposit":"46d7adab-1f20-40ad-b8f8-eb744bb991da"},"_deposit":{"created_by":130,"id":"2004153","owners":[130],"pid":{"revision_id":0,"type":"depid","value":"2004153"},"status":"published"},"_oai":{"id":"oai:teapot.lib.ocha.ac.jp:02004153","sets":["347:378:1712797938694"]},"author_link":[],"control_number":"2004153","item_11_biblio_info_8":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2024-03-31","bibliographicIssueDateType":"Issued"},"bibliographicPageEnd":"9","bibliographicPageStart":"1","bibliographicVolumeNumber":"26","bibliographic_titles":[{"bibliographic_title":"人間文化創成科学論叢","bibliographic_titleLang":"ja"},{"bibliographic_title":"Journal of the Graduate School of Humanities and Sciences","bibliographic_titleLang":"en"}]}]},"item_11_description_6":{"attribute_name":"抄録","attribute_value_mlt":[{"subitem_description":"In Japanese films produced at the beginning of the 1930s, women in Japanese clothes and those in Western clothes seemed to be stereotypically presented as good and evil, respectively. Such connotations vanished after the war as Western clothes became more common among Japanese women, and the contrast between Japanese and Western clothing came to represent the generation gap between mothers and daughters. However, no study has been conducted on the relationship between film costumes and different generations.This study determines how filmmakers use Japanese and Western clothes to illustrate women of different generations in postwar Japanese films. It focuses on the film costumes for Late Autumn（ 1960）, a film directed by Yasujirō Ozu, who was active from the late 1920s to the early 1960s, with his diary and the recollections of the film crew. Considering the technological influence of the colorization of images and the entry of fullfledged costume designers into the industry, this work analyzed the transformation of Western and Japanese costumes in the postwar period. The mother’s Japanese clothes and the daughter’s Western clothes showed commonality in their textiles and colors. Furthermore, the harmonious design of Japanese and Western clothes indicated a good relationship between mothers and daughters.","subitem_description_language":"en","subitem_description_type":"Abstract"}]},"item_11_publisher_36":{"attribute_name":"出版者","attribute_value_mlt":[{"subitem_publisher":"お茶の水女子大学大学院人間文化創成科学研究科","subitem_publisher_language":"ja"}]},"item_11_source_id_11":{"attribute_name":"書誌レコードID","attribute_value_mlt":[{"subitem_source_identifier":"AA1231891X","subitem_source_identifier_type":"NCID"}]},"item_1623395637221":{"attribute_name":"出版タイプ","attribute_value_mlt":[{"subitem_version_resource":"http://purl.org/coar/version/c_970fb48d4fbd8a85","subitem_version_type":"VoR"}]},"item_access_right":{"attribute_name":"アクセス権","attribute_value_mlt":[{"subitem_access_right":"open access","subitem_access_right_uri":"http://purl.org/coar/access_right/c_abf2"}]},"item_creator":{"attribute_name":"作成者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"伊藤, 愛美","creatorNameLang":"ja"},{"creatorName":"ITO, Aimi","creatorNameLang":"en"}]}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_access","date":[{"dateType":"Available","dateValue":"2024-04-12"}],"displaytype":"detail","filename":"ronso_26_01_ito.pdf","format":"application/pdf","license_note":"※PDFファイル内の文字はコピーできません","licensetype":"license_note","mimetype":"application/pdf","url":{"objectType":"fulltext","url":"https://teapot.lib.ocha.ac.jp/record/2004153/files/ronso_26_01_ito.pdf"},"version_id":"1135b7fd-fd4e-41cd-92c2-ed9b6113d35b"}]},"item_keyword":{"attribute_name":"キーワード","attribute_value_mlt":[{"subitem_subject":"小津安二郎","subitem_subject_language":"ja","subitem_subject_scheme":"Other"},{"subitem_subject":"洋装化","subitem_subject_language":"ja","subitem_subject_scheme":"Other"},{"subitem_subject":"『秋日和』","subitem_subject_language":"ja","subitem_subject_scheme":"Other"},{"subitem_subject":"母娘関係","subitem_subject_language":"ja","subitem_subject_scheme":"Other"},{"subitem_subject":"映画衣裳","subitem_subject_language":"ja","subitem_subject_scheme":"Other"},{"subitem_subject":"Yasujirō Ozu","subitem_subject_language":"en","subitem_subject_scheme":"Other"},{"subitem_subject":"Westernization","subitem_subject_language":"en","subitem_subject_scheme":"Other"},{"subitem_subject":"Late Autumn","subitem_subject_language":"en","subitem_subject_scheme":"Other"},{"subitem_subject":"Mother-Daughter Relationship","subitem_subject_language":"en","subitem_subject_scheme":"Other"},{"subitem_subject":"Film Costume","subitem_subject_language":"en","subitem_subject_scheme":"Other"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"departmental bulletin paper","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"戦後日本映画における女性の衣裳表現の変容―小津安二郎の『秋日和』の和装と洋装の対比を中心に","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"戦後日本映画における女性の衣裳表現の変容―小津安二郎の『秋日和』の和装と洋装の対比を中心に","subitem_title_language":"ja"},{"subitem_title":"Transformation of Women’s Costume Expression in the Postwar Japanese Films: The Contrast between Japanese Clothes and Western Clothes in Yasujirō Ozu’s Late Autumn","subitem_title_language":"en"}]},"item_type_id":"11","owner":"130","path":["1712797938694"],"pubdate":{"attribute_name":"PubDate","attribute_value":"2024-04-12"},"publish_date":"2024-04-12","publish_status":"0","recid":"2004153","relation_version_is_last":true,"title":["戦後日本映画における女性の衣裳表現の変容―小津安二郎の『秋日和』の和装と洋装の対比を中心に"],"weko_creator_id":"130","weko_shared_id":-1},"updated":"2024-04-15T01:26:09.037063+00:00"}