{"created":"2021-03-01T06:38:41.869080+00:00","id":33542,"links":{},"metadata":{"_buckets":{"deposit":"6b5eb10b-699f-4e88-b67f-21530211732d"},"_deposit":{"id":"33542","owners":[],"pid":{"revision_id":0,"type":"depid","value":"33542"},"status":"published"},"_oai":{"id":"oai:teapot.lib.ocha.ac.jp:00033542","sets":["347:348:479"]},"item_11_biblio_info_8":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2007-07","bibliographicIssueDateType":"Issued"},"bibliographicPageEnd":"57","bibliographicPageStart":"47","bibliographicVolumeNumber":"8","bibliographic_titles":[{"bibliographic_title":"F-GENSジャーナル"}]}]},"item_11_description_17":{"attribute_name":"フォーマット","attribute_value_mlt":[{"subitem_description":"application/pdf","subitem_description_type":"Other"}]},"item_11_description_46":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"subitem_description":"紀要論文","subitem_description_type":"Other"}]},"item_11_description_6":{"attribute_name":"抄録","attribute_value_mlt":[{"subitem_description":"ビリー・ワイルダー監督の『サンセット大通り』（1950年）は、ハリウッド映画製作の歴史を批判的に描いたフィルム・ノワール作品である。20 世紀前半、ハリウッドは「フォーディズム」（効率的な大量生産様式）に基づいた「スタジオ・システム」を発明し、米国における文化表象を覇権的に生産し始めた。この文化生産装置が完成するにつれて、ハリウッド映画は固定化されたジェンダー・イメージを産出し、またそれに裏打ちされた規範的異性愛の欲望を〈正しい〉ものとしてコード化し、表象するに至った。『サンセット大通り』はフィルム・ノワールという批判的形式を用いつつ、第二次大戦後のハリウッド産業の内側で、撹乱的な欲望／ジェンダー表象の生産を企てる映画人たちの姿を描き出している。本稿は、この作品をクイア批評および文化史的観点から分析し、50 年代のハリウッドにおいて〈表象不可能〉な欲望を表出しようと試みた物語として解読する。","subitem_description_type":"Abstract"},{"subitem_description":"During the first half of the 20th century, Hollywood achieved dominance over cultural production in the U.S. The rise of the studio system played a crucial role in fixing gender stereotypes in tandem with normative heterosexuality. Sunset Boulevard（1950）, one of the most famous film-noir works about Hollywood's behind-the-scenes, critically depicts the transformation of cinematic production in Hollywood, occurring from the 1920s through the post-World War II period. This article examines how the main characters of the film?similar to the co-writer / director of this film Billy Wilder?desperately desire to invent new modes of representation within and against the post-war film industry. The analyses of their desires in“ queer” light show how this“ film-noir” tries to represent the unrepresentable by（mis）appropriating the normative gender / sexual codes established in Hollywood from the 1920s.","subitem_description_type":"Abstract"}]},"item_11_full_name_2":{"attribute_name":"著者(ヨミ)","attribute_value_mlt":[{"nameIdentifiers":[{"nameIdentifier":"66129","nameIdentifierScheme":"WEKO"}],"names":[{"name":"ヤマグチ, ナホコ"}]}]},"item_11_publisher_36":{"attribute_name":"出版者","attribute_value_mlt":[{"subitem_publisher":"お茶の水女子大学21世紀COEプログラムジェンダー研究のフロンティア"}]},"item_11_source_id_11":{"attribute_name":"書誌レコードID","attribute_value_mlt":[{"subitem_source_identifier":"AA11937020","subitem_source_identifier_type":"NCID"}]},"item_11_subject_20":{"attribute_name":"日本十進分類法","attribute_value_mlt":[{"subitem_subject":"367","subitem_subject_scheme":"NDC"}]},"item_11_text_18":{"attribute_name":"形態","attribute_value_mlt":[{"subitem_text_value":"1496978 bytes"}]},"item_11_text_47":{"attribute_name":"資源タイプ・ローカル","attribute_value_mlt":[{"subitem_text_value":"紀要論文"}]},"item_11_text_48":{"attribute_name":"資源タイプ・NII","attribute_value_mlt":[{"subitem_text_value":"Departmental Bulletin Paper"}]},"item_11_text_49":{"attribute_name":"資源タイプ・DCMI","attribute_value_mlt":[{"subitem_text_value":"text"}]},"item_11_text_50":{"attribute_name":"資源タイプ・ローカル表示コード","attribute_value_mlt":[{"subitem_text_value":"03"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"山口, 菜穂子"}],"nameIdentifiers":[{"nameIdentifier":"66128","nameIdentifierScheme":"WEKO"}]},{"creatorNames":[{"creatorName":"YAMAGUCHI, Nahoko","creatorNameLang":"en"}],"nameIdentifiers":[{"nameIdentifier":"66130","nameIdentifierScheme":"WEKO"}]}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_date","date":[{"dateType":"Available","dateValue":"2018-04-19"}],"displaytype":"detail","filename":"FGENS08_P047yamaguchi.pdf","filesize":[{"value":"1.5 MB"}],"format":"application/pdf","licensetype":"license_note","mimetype":"application/pdf","url":{"label":"FGENS08_P047yamaguchi.pdf","url":"https://teapot.lib.ocha.ac.jp/record/33542/files/FGENS08_P047yamaguchi.pdf"},"version_id":"58f319f5-8d36-477e-81ea-b92a8bc93536"}]},"item_keyword":{"attribute_name":"キーワード","attribute_value_mlt":[{"subitem_subject":"『サンセット大通り』","subitem_subject_scheme":"Other"},{"subitem_subject":"欲望","subitem_subject_scheme":"Other"},{"subitem_subject":"文化生産","subitem_subject_scheme":"Other"},{"subitem_subject":"Sunset Boulevard","subitem_subject_scheme":"Other"},{"subitem_subject":"desire","subitem_subject_scheme":"Other"},{"subitem_subject":"cultural production","subitem_subject_scheme":"Other"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"departmental bulletin paper","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"『サンセット大通り』を逆走する欲望の未来  ― フィルム・ノワールのクイア分析 ―","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"『サンセット大通り』を逆走する欲望の未来  ― フィルム・ノワールのクイア分析 ―"},{"subitem_title":"Desires Driving Back on Sunset Boulevard: A Queer Reading of a Film Noir","subitem_title_language":"en"}]},"item_type_id":"11","owner":"1","path":["479"],"pubdate":{"attribute_name":"公開日","attribute_value":"2008-05-23"},"publish_date":"2008-05-23","publish_status":"0","recid":"33542","relation_version_is_last":true,"title":["『サンセット大通り』を逆走する欲望の未来  ― フィルム・ノワールのクイア分析 ―"],"weko_creator_id":"1","weko_shared_id":null},"updated":"2022-12-12T05:40:33.015945+00:00"}