{"created":"2021-03-01T06:38:43.318168+00:00","id":33563,"links":{},"metadata":{"_buckets":{"deposit":"2a882069-f1b6-4d3e-a270-a4d88d97e041"},"_deposit":{"id":"33563","owners":[],"pid":{"revision_id":0,"type":"depid","value":"33563"},"status":"published"},"_oai":{"id":"oai:teapot.lib.ocha.ac.jp:00033563","sets":["347:348:475"]},"item_11_biblio_info_8":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2005-09","bibliographicIssueDateType":"Issued"},"bibliographicPageEnd":"12","bibliographicPageStart":"5","bibliographicVolumeNumber":"4","bibliographic_titles":[{"bibliographic_title":"F-GENSジャーナル"}]}]},"item_11_description_17":{"attribute_name":"フォーマット","attribute_value_mlt":[{"subitem_description":"application/pdf","subitem_description_type":"Other"}]},"item_11_description_46":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"subitem_description":"紀要論文","subitem_description_type":"Other"}]},"item_11_description_6":{"attribute_name":"抄録","attribute_value_mlt":[{"subitem_description":"本論では、女性画家ベルト・モリゾをモデルとしたエドゥアール・マネ作《休息》（1870年）をめぐる批評、カリカチュア、表象の分析を通して、19世紀後期フランスにおけるジェンダー・イデオロギー構造の一端を考察することを目的としている。《休息》は、1873年のサロンに同時に出品された男性表象《ル・ボン・ボック》とは対照的に、「不安定感、醜さ、汚れ、未完成」といったコメントやカリカチュアによって酷評された。当時のコンテキストにおいてそれらの批判は、彼女の所属すべき中産階級のイテオロギーとジェンダーの規範から逸脱を暗示しており、作品の評価にはそれらの規範が深く絡み合っていたことが浮かび上がってくる。また《休息》の制作過程や、画中画《玉取姫》の解釈から、マネのモリゾに対する心理的葛藤が表されている可能性も指摘したい。","subitem_description_type":"Abstract"},{"subitem_description":"The purpose of this study is to consider a part of the gender ideology structure in the late 19th century France, through analyses of criticism, caricatures, and representations about 《Repos》（in 1870）, in which Berthe Morisot （woman artist） posed as a model for Edouard Manet. When 《Repos》 was exhibited at Salon in 1873 along with 《Le Bon Book》, it was savaged by bitter comments such as “instability, ugly, dirty, unfinished” and by cruel caricatures, while 《Le Bon Book》 which represents male was favorably accepted. Those criticisms insinuate, in the context of those days, the deviation of 《Repos》 from the gender canon and ideology of bourgeois to which she belongs. Here we can see a close relationship between the estimation of the arts works and the canon. Also through the study of the work process of 《Repos》 and the interpretation of its inset 《Tamatori-hime》, I would like to point out the possibility of which Manet's psychological conflicts with Morisot is depicted in it.","subitem_description_type":"Abstract"}]},"item_11_full_name_2":{"attribute_name":"著者(ヨミ)","attribute_value_mlt":[{"nameIdentifiers":[{"nameIdentifier":"66028","nameIdentifierScheme":"WEKO"}],"names":[{"name":"ハヤシ, ユイ"}]}]},"item_11_publisher_36":{"attribute_name":"出版者","attribute_value_mlt":[{"subitem_publisher":"お茶の水女子大学21世紀COEプログラムジェンダー研究のフロンティア"}]},"item_11_source_id_11":{"attribute_name":"書誌レコードID","attribute_value_mlt":[{"subitem_source_identifier":"AA11937020","subitem_source_identifier_type":"NCID"}]},"item_11_subject_20":{"attribute_name":"日本十進分類法","attribute_value_mlt":[{"subitem_subject":"367","subitem_subject_scheme":"NDC"}]},"item_11_text_18":{"attribute_name":"形態","attribute_value_mlt":[{"subitem_text_value":"612310 bytes"}]},"item_11_text_47":{"attribute_name":"資源タイプ・ローカル","attribute_value_mlt":[{"subitem_text_value":"紀要論文"}]},"item_11_text_48":{"attribute_name":"資源タイプ・NII","attribute_value_mlt":[{"subitem_text_value":"Departmental Bulletin Paper"}]},"item_11_text_49":{"attribute_name":"資源タイプ・DCMI","attribute_value_mlt":[{"subitem_text_value":"text"}]},"item_11_text_50":{"attribute_name":"資源タイプ・ローカル表示コード","attribute_value_mlt":[{"subitem_text_value":"03"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"林, 有維"}],"nameIdentifiers":[{"nameIdentifier":"66027","nameIdentifierScheme":"WEKO"}]},{"creatorNames":[{"creatorName":"HAYASHI, Yui","creatorNameLang":"en"}],"nameIdentifiers":[{"nameIdentifier":"66029","nameIdentifierScheme":"WEKO"}]}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_date","date":[{"dateType":"Available","dateValue":"2018-04-19"}],"displaytype":"detail","filename":"FGENS04_P005hayashi.pdf","filesize":[{"value":"612.3 kB"}],"format":"application/pdf","licensetype":"license_note","mimetype":"application/pdf","url":{"label":"FGENS04_P005hayashi.pdf","url":"https://teapot.lib.ocha.ac.jp/record/33563/files/FGENS04_P005hayashi.pdf"},"version_id":"c5fa615d-8e20-4aa6-86ac-c1e516a5718e"}]},"item_keyword":{"attribute_name":"キーワード","attribute_value_mlt":[{"subitem_subject":"女性表象","subitem_subject_scheme":"Other"},{"subitem_subject":"セクシャリティ","subitem_subject_scheme":"Other"},{"subitem_subject":"19世紀後期フランス","subitem_subject_scheme":"Other"},{"subitem_subject":"Representation of women","subitem_subject_scheme":"Other"},{"subitem_subject":"sexuality","subitem_subject_scheme":"Other"},{"subitem_subject":"in the late 19th century France","subitem_subject_scheme":"Other"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"departmental bulletin paper","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"19世紀後期フランスにおける女性表象 ― エドゥアール・マネ作《休息（ベルト・モリゾの肖像）》を通して ―","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"19世紀後期フランスにおける女性表象 ― エドゥアール・マネ作《休息（ベルト・モリゾの肖像）》を通して ―"},{"subitem_title":"Representation of women, sexuality, in the late 19th century France","subitem_title_language":"en"}]},"item_type_id":"11","owner":"1","path":["475"],"pubdate":{"attribute_name":"公開日","attribute_value":"2008-05-23"},"publish_date":"2008-05-23","publish_status":"0","recid":"33563","relation_version_is_last":true,"title":["19世紀後期フランスにおける女性表象 ― エドゥアール・マネ作《休息（ベルト・モリゾの肖像）》を通して ―"],"weko_creator_id":"1","weko_shared_id":null},"updated":"2022-12-12T05:40:34.508733+00:00"}