@article{oai:teapot.lib.ocha.ac.jp:00039240,
 author = {田, 莎莎 and TIAN, Shasha},
 journal = {人間文化創成科学論叢},
 month = {Mar},
 note = {application/pdf, 紀要論文, This study introduces the economic, social, and political backgrounds of China in 1980s at the time when Japanese-made manga and anime first entered the country. In addition, it discusses the reception and development of the dynamic culture by analyzing the reception of “Doraemon” in China through \
the following three stages: permeation, growth, and diffusion.\
As evident in the example of “Doraemon”, the acceptance of Japanese-made manga and anime in overseas markets always depends on the social environment of the recipient and involves a process full of contradictions. Although the analysis of the commonality of manga and anime is important, it is still \
difficult to see its complete scope without verifying the acceptance of individual works. At present, manga and anime have been accepted as a commonality in China.\
 “Doraemon” represents a foreign culture and is originally made in Japan but now is fully localized as a “symbol of childhood” in China and has become a collective memory for more than four generations of people born in 1970s, 1980s, 1990s, and 2000s.},
 pages = {87--95},
 title = {中国における日本製マンガ・アニメの受容 : 「ドラえもん」を事例として},
 volume = {19},
 year = {2017}
}