{"created":"2021-03-01T06:45:16.562474+00:00","id":39263,"links":{},"metadata":{"_buckets":{"deposit":"e5579adf-915f-4401-92fd-c8245b8fa9f4"},"_deposit":{"id":"39263","owners":[],"pid":{"revision_id":0,"type":"depid","value":"39263"},"status":"published"},"_oai":{"id":"oai:teapot.lib.ocha.ac.jp:00039263","sets":["347:378:2169"]},"item_11_biblio_info_8":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2016-03-31","bibliographicIssueDateType":"Issued"},"bibliographicPageEnd":"3-9","bibliographicPageStart":"3-1","bibliographicVolumeNumber":"18","bibliographic_titles":[{"bibliographic_title":"人間文化創成科学論叢"}]}]},"item_11_description_17":{"attribute_name":"フォーマット","attribute_value_mlt":[{"subitem_description":"application/pdf","subitem_description_type":"Other"}]},"item_11_description_46":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"subitem_description":"学術雑誌論文","subitem_description_type":"Other"}]},"item_11_description_6":{"attribute_name":"抄録","attribute_value_mlt":[{"subitem_description":"The aim of this paper is to make clear how Terayama Shūji (1935-1983) represents Self in his\\\nautobiographical film entitled “Cache-Cache Pastoral” (1974). The film projects the delicate subject of\\\ndepicting self-representation. He denies the unchangeable and single Self and represents the fictitious\\\nand plural Selves instead. The description of multi-faced self involves difficulty as the self will be\\\ndivided into the “I” who writes, the “I” who is written, and the “I” who existed in the past. Terayama\\\ndepicts multi-faced “ I ”s which conflict with each other to adapt metafiction. Terayama has the film\\\ndirector appear in the film and confront with himself in the past.\\\nIn addition, this film tries to modify one's memory and the film director makes an attempt to kill\\\nhis mother whereby he gets his independence in this film. However, he cannot achieve it. Instead, he\\\nadapts three women as his mother's doubles and realizes his desire in distorted ways. The film looks\\\nlike a dream and the dream enables him to approach his subconscious desire.","subitem_description_type":"Abstract"}]},"item_11_publisher_36":{"attribute_name":"出版者","attribute_value_mlt":[{"subitem_publisher":"お茶の水女子大学大学院人間文化創成科学研究科"}]},"item_11_select_19":{"attribute_name":"著者版フラグ","attribute_value_mlt":[{"subitem_select_item":"publisher"}]},"item_11_source_id_11":{"attribute_name":"書誌レコードID","attribute_value_mlt":[{"subitem_source_identifier":"AA1231891X","subitem_source_identifier_type":"NCID"}]},"item_11_subject_20":{"attribute_name":"日本十進分類法","attribute_value_mlt":[{"subitem_subject":"051","subitem_subject_scheme":"NDC"}]},"item_11_text_18":{"attribute_name":"形態","attribute_value_mlt":[{"subitem_text_value":"475266 bytes"}]},"item_11_text_47":{"attribute_name":"資源タイプ・ローカル","attribute_value_mlt":[{"subitem_text_value":"紀要論文"}]},"item_11_text_48":{"attribute_name":"資源タイプ・NII","attribute_value_mlt":[{"subitem_text_value":"Departmental Bulletin Paper"}]},"item_11_text_49":{"attribute_name":"資源タイプ・DCMI","attribute_value_mlt":[{"subitem_text_value":"text"}]},"item_11_text_50":{"attribute_name":"資源タイプ・ローカル表示コード","attribute_value_mlt":[{"subitem_text_value":"03"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"久保, 陽子"}],"nameIdentifiers":[{"nameIdentifier":"106283","nameIdentifierScheme":"WEKO"}]},{"creatorNames":[{"creatorName":"KUBO, Yoko","creatorNameLang":"en"}],"nameIdentifiers":[{"nameIdentifier":"106284","nameIdentifierScheme":"WEKO"}]}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_date","date":[{"dateType":"Available","dateValue":"2018-04-26"}],"displaytype":"detail","filename":"23久保.pdf","filesize":[{"value":"475.3 kB"}],"format":"application/pdf","licensetype":"license_note","mimetype":"application/pdf","url":{"label":"23久保.pdf","url":"https://teapot.lib.ocha.ac.jp/record/39263/files/23久保.pdf"},"version_id":"5ebcad9c-be60-4f3d-8b61-257034181808"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"departmental bulletin paper","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"〈自伝〉と「夢」の形式を借りた「虚構」: 寺山修司の映画『田園に死す』","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"〈自伝〉と「夢」の形式を借りた「虚構」: 寺山修司の映画『田園に死す』"},{"subitem_title":"Terayama Shūji's film, “Cache-Cache Pastoral” as an autobiography and a dream","subitem_title_language":"en"}]},"item_type_id":"11","owner":"1","path":["2169"],"pubdate":{"attribute_name":"公開日","attribute_value":"2016-05-26"},"publish_date":"2016-05-26","publish_status":"0","recid":"39263","relation_version_is_last":true,"title":["〈自伝〉と「夢」の形式を借りた「虚構」: 寺山修司の映画『田園に死す』"],"weko_creator_id":"1","weko_shared_id":null},"updated":"2022-12-12T05:45:02.074769+00:00"}