{"created":"2021-03-01T06:45:23.777034+00:00","id":39363,"links":{},"metadata":{"_buckets":{"deposit":"650d5373-126c-4a36-9a7d-8df0f8564ceb"},"_deposit":{"id":"39363","owners":[],"pid":{"revision_id":0,"type":"depid","value":"39363"},"status":"published"},"_oai":{"id":"oai:teapot.lib.ocha.ac.jp:00039363","sets":["347:378:2168"]},"item_11_biblio_info_8":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2013-03-31","bibliographicIssueDateType":"Issued"},"bibliographicPageEnd":"151","bibliographicPageStart":"143","bibliographicVolumeNumber":"15","bibliographic_titles":[{"bibliographic_title":"人間文化創成科学論叢"}]}]},"item_11_description_17":{"attribute_name":"フォーマット","attribute_value_mlt":[{"subitem_description":"application/pdf","subitem_description_type":"Other"}]},"item_11_description_46":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"subitem_description":"紀要論文","subitem_description_type":"Other"}]},"item_11_description_6":{"attribute_name":"抄録","attribute_value_mlt":[{"subitem_description":"The purpose of this study is to consider the involvement of the singer, Pauline Viardot-García in the arrangement of Gluck’s Opera, Orfeo ed Euridice by Hector Berlioz. She played the role of Orfée at the premiere of this version in 1859 and involved in making up it with Berlioz. In this study the Orfée’s aria,” Amour, viens rendre à mon âme” and its cadenza in the 1st Act are discussed in the respects of some materials of this pieces (biography, letters, treatises and so on) and the background in the process of arranging. 　Conclusion: 1. Pauline Viardot was deeply involved in arranging and producing the version and it is clarified that the aria and its cadenza were re-composed by Berlioz, Saint-Saëns and Pauline Viardot. 2. The vocal line of this aria is reinforced by the wind instruments and the cadenza has two different characters: the citation from the music of previous scene, and the virtuosity of vocal technique. And then it may be concluded that the involvement of Pauline Viardot fixed the role of Orfée for female voice and gave this role two attributes, a traditional vocal technique and a modern dramatic style of singing expression.","subitem_description_type":"Abstract"}]},"item_11_publisher_36":{"attribute_name":"出版者","attribute_value_mlt":[{"subitem_publisher":"お茶の水女子大学大学院人間文化創成科学研究科"}]},"item_11_select_19":{"attribute_name":"著者版フラグ","attribute_value_mlt":[{"subitem_select_item":"publisher"}]},"item_11_source_id_11":{"attribute_name":"書誌レコードID","attribute_value_mlt":[{"subitem_source_identifier":"AA1231891X","subitem_source_identifier_type":"NCID"}]},"item_11_source_id_9":{"attribute_name":"ISSN","attribute_value_mlt":[{"subitem_source_identifier":"13448013","subitem_source_identifier_type":"ISSN"}]},"item_11_subject_20":{"attribute_name":"日本十進分類法","attribute_value_mlt":[{"subitem_subject":"051","subitem_subject_scheme":"NDC"}]},"item_11_text_18":{"attribute_name":"形態","attribute_value_mlt":[{"subitem_text_value":"878116 bytes"}]},"item_11_text_47":{"attribute_name":"資源タイプ・ローカル","attribute_value_mlt":[{"subitem_text_value":"紀要論文"}]},"item_11_text_48":{"attribute_name":"資源タイプ・NII","attribute_value_mlt":[{"subitem_text_value":"Departmental Bulletin Paper"}]},"item_11_text_49":{"attribute_name":"資源タイプ・DCMI","attribute_value_mlt":[{"subitem_text_value":"text"}]},"item_11_text_50":{"attribute_name":"資源タイプ・ローカル表示コード","attribute_value_mlt":[{"subitem_text_value":"03"}]},"item_11_text_79":{"attribute_name":"所属","attribute_value_mlt":[{"subitem_text_value":"平成16年度生 比較社会文化学専攻"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"水越 美和"}],"nameIdentifiers":[{"nameIdentifier":"106191","nameIdentifierScheme":"WEKO"}]},{"creatorNames":[{"creatorName":"MIZUKOSHI Miwa","creatorNameLang":"en"}],"nameIdentifiers":[{"nameIdentifier":"106192","nameIdentifierScheme":"WEKO"}]}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_date","date":[{"dateType":"Available","dateValue":"2018-04-26"}],"displaytype":"detail","filename":"16 水越美和.pdf","filesize":[{"value":"878.1 kB"}],"format":"application/pdf","licensetype":"license_note","mimetype":"application/pdf","url":{"label":"16 水越美和.pdf","url":"https://teapot.lib.ocha.ac.jp/record/39363/files/16 水越美和.pdf"},"version_id":"e99eab1e-124a-4743-9ae5-05201b64fb2f"}]},"item_keyword":{"attribute_name":"キーワード","attribute_value_mlt":[{"subitem_subject":"Pauline Viardot-García","subitem_subject_scheme":"Other"},{"subitem_subject":"Hector Berlioz","subitem_subject_scheme":"Other"},{"subitem_subject":"Christoph Willibald Ritter von Gluck","subitem_subject_scheme":"Other"},{"subitem_subject":"Orfeo ed Euridice","subitem_subject_scheme":"Other"},{"subitem_subject":"Cadenza","subitem_subject_scheme":"Other"},{"subitem_subject":"ポリーヌ・ヴィアルド－ガルシア","subitem_subject_scheme":"Other"},{"subitem_subject":"エクトル・ベルリオーズ","subitem_subject_scheme":"Other"},{"subitem_subject":"クリストフ・ヴィリバルト・グルック","subitem_subject_scheme":"Other"},{"subitem_subject":"《オルフェオと エウリディーチェ》","subitem_subject_scheme":"Other"},{"subitem_subject":"カデンツァ","subitem_subject_scheme":"Other"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"departmental bulletin paper","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"グルック作曲 <<オルフェオとエウリディーチェ>> のベルリオーズ編曲版におけるポリーヌ・ヴィアルドーガルシアの関与 : 第1幕のアリア \"Amour, viens rendre a mon ame\" および終結部のカデンツァを中心に","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"グルック作曲 <<オルフェオとエウリディーチェ>> のベルリオーズ編曲版におけるポリーヌ・ヴィアルドーガルシアの関与 : 第1幕のアリア \"Amour, viens rendre a mon ame\" および終結部のカデンツァを中心に"},{"subitem_title":"The involvement of Pauline Viardot-Garcia in Berlioz's arrangement of Gluck's Orfeo ed Euridice: focusing on the aria \"Amour, viens rendre a mon ame\"and its cadenza","subitem_title_language":"en"}]},"item_type_id":"11","owner":"1","path":["2168"],"pubdate":{"attribute_name":"公開日","attribute_value":"2013-04-19"},"publish_date":"2013-04-19","publish_status":"0","recid":"39363","relation_version_is_last":true,"title":["グルック作曲 <<オルフェオとエウリディーチェ>> のベルリオーズ編曲版におけるポリーヌ・ヴィアルドーガルシアの関与 : 第1幕のアリア \"Amour, viens rendre a mon ame\" および終結部のカデンツァを中心に"],"weko_creator_id":"1","weko_shared_id":null},"updated":"2022-12-12T05:45:17.372503+00:00"}