@article{oai:teapot.lib.ocha.ac.jp:00039380,
 author = {李 小妹 and LI May},
 journal = {人間文化創成科学論叢},
 month = {Mar},
 note = {application/pdf, 紀要論文, Since being founded in 1979, Shenzhen Municipality has been playing the role as one of the most successful platforms for attracting foreign investment as well as a showplace of China’s socioeconomic transformation. However, when the first theme park of China named Splendid China opened in Shenzhen in 1989, and then two years later the sister park “Chinese Folk Culture Village” opened in 1991, another role of Shenzhen revealed itself, which is to show Chinese nation and its nationality to the global world that China has been increasingly incorporated into since the early 1980s.This paper examines the ways and strategies of the representation of nation and minority nationality in Chinese Folk Culture Village and assumes that added to the National territory represented in Splendid China, Chinese Folk Culture Village makes it possible for the majority Han Chinese tourists to (re)construct a Chinese national identity by constructing and consuming the difference between themselves and ethnic minority nationalities.},
 pages = {311--319},
 title = {深圳中国民俗文化村における「少数民族」の表象},
 volume = {15},
 year = {2013}
}