{"created":"2021-03-01T06:45:26.578030+00:00","id":39402,"links":{},"metadata":{"_buckets":{"deposit":"d7c7d2b8-7a60-4399-99f6-ad299aaaa83f"},"_deposit":{"id":"39402","owners":[],"pid":{"revision_id":0,"type":"depid","value":"39402"},"status":"published"},"_oai":{"id":"oai:teapot.lib.ocha.ac.jp:00039402","sets":["347:378:824"]},"item_11_biblio_info_8":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2012-03-31","bibliographicIssueDateType":"Issued"},"bibliographicPageEnd":"145","bibliographicPageStart":"137","bibliographicVolumeNumber":"14","bibliographic_titles":[{"bibliographic_title":"人間文化創成科学論叢"}]}]},"item_11_description_17":{"attribute_name":"フォーマット","attribute_value_mlt":[{"subitem_description":"application/pdf","subitem_description_type":"Other"}]},"item_11_description_46":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"subitem_description":"紀要論文","subitem_description_type":"Other"}]},"item_11_description_6":{"attribute_name":"抄録","attribute_value_mlt":[{"subitem_description":"Video dance is hybrid of film and dance, called “new art form” . The purpose of this paper is to clarify a part of characteristics of video dance piece “Roseland” (1990) by Vim Vandekeybus through film theoretical perspective which is based in “Der Film” (1959) by Bela Balazs. According to this theory, three perspectives were revealed: “Close up; the body in the flame and imagination of invisible body outside the flame”, “Changing viewpoint; synchronization view”, “Editing; re-constructed choreography”. And analysis of “Roseland” shows that these points appeared effectively in the film and characterizes as unique art form. “Close up” focuses on dancer’s detail such as skin and muscles, and fragments of the body makes movement dynamic. “Changing viewpoint” gives audience immersive views and simulation experiences as well as sequence of shots makes rhythm that initiates movement and music. “Editing”; re-constructed choreography creates a great impact that prevents audience’s imagination and make them re-think about the idea of choreography. In conclusion, these characteristics in “Roseland” are part of video dance\\\nessence, and it is important to utilize film theory in analyzing video dance.","subitem_description_type":"Abstract"}]},"item_11_publisher_36":{"attribute_name":"出版者","attribute_value_mlt":[{"subitem_publisher":"お茶の水女子大学大学院人間文化創成科学研究科"}]},"item_11_select_19":{"attribute_name":"著者版フラグ","attribute_value_mlt":[{"subitem_select_item":"publisher"}]},"item_11_source_id_11":{"attribute_name":"書誌レコードID","attribute_value_mlt":[{"subitem_source_identifier":"AA1231891X","subitem_source_identifier_type":"NCID"}]},"item_11_source_id_9":{"attribute_name":"ISSN","attribute_value_mlt":[{"subitem_source_identifier":"13448013","subitem_source_identifier_type":"ISSN"}]},"item_11_subject_20":{"attribute_name":"日本十進分類法","attribute_value_mlt":[{"subitem_subject":"051","subitem_subject_scheme":"NDC"}]},"item_11_text_18":{"attribute_name":"形態","attribute_value_mlt":[{"subitem_text_value":"1202465 bytes"}]},"item_11_text_47":{"attribute_name":"資源タイプ・ローカル","attribute_value_mlt":[{"subitem_text_value":"紀要論文"}]},"item_11_text_48":{"attribute_name":"資源タイプ・NII","attribute_value_mlt":[{"subitem_text_value":"Departmental Bulletin Paper"}]},"item_11_text_49":{"attribute_name":"資源タイプ・DCMI","attribute_value_mlt":[{"subitem_text_value":"text"}]},"item_11_text_50":{"attribute_name":"資源タイプ・ローカル表示コード","attribute_value_mlt":[{"subitem_text_value":"03"}]},"item_11_text_79":{"attribute_name":"所属","attribute_value_mlt":[{"subitem_text_value":"比較社会文化学専攻"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"松岡, 綾葉"}],"nameIdentifiers":[{"nameIdentifier":"78278","nameIdentifierScheme":"WEKO"}]},{"creatorNames":[{"creatorName":"MATSUOKA, Ayaha","creatorNameLang":"en"}],"nameIdentifiers":[{"nameIdentifier":"78279","nameIdentifierScheme":"WEKO"}]}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_date","date":[{"dateType":"Available","dateValue":"2018-04-20"}],"displaytype":"detail","filename":"15_137-145.pdf","filesize":[{"value":"1.2 MB"}],"format":"application/pdf","licensetype":"license_note","mimetype":"application/pdf","url":{"label":"15_137-145.pdf","url":"https://teapot.lib.ocha.ac.jp/record/39402/files/15_137-145.pdf"},"version_id":"4a9b35b8-9e99-4be1-9f49-e2f00a55620d"}]},"item_keyword":{"attribute_name":"キーワード","attribute_value_mlt":[{"subitem_subject":"ビデオダンス","subitem_subject_scheme":"Other"},{"subitem_subject":"映像","subitem_subject_scheme":"Other"},{"subitem_subject":"ダンス","subitem_subject_scheme":"Other"},{"subitem_subject":"ベラ・バラージュ","subitem_subject_scheme":"Other"},{"subitem_subject":"ヴィム・ヴァンデケイビュス","subitem_subject_scheme":"Other"},{"subitem_subject":"video dance","subitem_subject_scheme":"Other"},{"subitem_subject":"film","subitem_subject_scheme":"Other"},{"subitem_subject":"dance","subitem_subject_scheme":"Other"},{"subitem_subject":"Bela Balazs","subitem_subject_scheme":"Other"},{"subitem_subject":"Wim Vendekeybus","subitem_subject_scheme":"Other"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"departmental bulletin paper","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"ビデオダンス研究 : 映像理論からのアプローチ","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"ビデオダンス研究 : 映像理論からのアプローチ"},{"subitem_title":"An approach to video dance from film theory","subitem_title_language":"en"}]},"item_type_id":"11","owner":"1","path":["824"],"pubdate":{"attribute_name":"公開日","attribute_value":"2012-04-23"},"publish_date":"2012-04-23","publish_status":"0","recid":"39402","relation_version_is_last":true,"title":["ビデオダンス研究 : 映像理論からのアプローチ"],"weko_creator_id":"1","weko_shared_id":null},"updated":"2022-12-12T05:45:19.934368+00:00"}