{"created":"2021-03-01T06:45:28.754589+00:00","id":39432,"links":{},"metadata":{"_buckets":{"deposit":"02926986-1d6d-4af3-8236-5381c5718f64"},"_deposit":{"id":"39432","owners":[],"pid":{"revision_id":0,"type":"depid","value":"39432"},"status":"published"},"_oai":{"id":"oai:teapot.lib.ocha.ac.jp:00039432","sets":["347:378:823"]},"item_11_biblio_info_8":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2011-03","bibliographicIssueDateType":"Issued"},"bibliographicPageEnd":"37","bibliographicPageStart":"29","bibliographicVolumeNumber":"13","bibliographic_titles":[{"bibliographic_title":"人間文化創成科学論叢"}]}]},"item_11_description_17":{"attribute_name":"フォーマット","attribute_value_mlt":[{"subitem_description":"application/pdf","subitem_description_type":"Other"}]},"item_11_description_46":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"subitem_description":"紀要論文","subitem_description_type":"Other"}]},"item_11_description_6":{"attribute_name":"抄録","attribute_value_mlt":[{"subitem_description":"François-Joseph Fétis (1784-1871), a well-known Belgian music theorist in the 19th century, formed his influential harmonic theory out of a critique of the theories claimed by his predecessors and contemporary thinkers. Both of his two major essays on harmony, Esquisse de l'histoire de l'harmonie considérée commeart et comme science systématique, and Traité complet de la théorie et de la pratique de l'harmonie, include his theory about the generative process of the supertonic seventh chord, and he insisted that the chord is a derivative form born from the inverted dominant seventh chord, combined with the ‘ modification' process, i.e., alteration of the constituent notes of a chord by substituting with or prolonging of the note(s) from the preceding chord in a harmonic progression. Furthermore, he severely criticized the theories of J. ‒P. Rameau and C. ‒S. Catel. Close reading of Fétis' arguments on this point reveals that there were at least three different explanations regarding this chord that coexisted in 19th century Europe. This brief study summarizes these three explanations of the supertonic seventh\\\n chord, claimed by Fétis, Rameau, and Catel respectively, through analysis of Fétis' own arguments in his two major works mentioned above.","subitem_description_type":"Abstract"}]},"item_11_publisher_36":{"attribute_name":"出版者","attribute_value_mlt":[{"subitem_publisher":"お茶の水女子大学大学院人間文化創成科学研究科"}]},"item_11_select_19":{"attribute_name":"著者版フラグ","attribute_value_mlt":[{"subitem_select_item":"publisher"}]},"item_11_source_id_11":{"attribute_name":"書誌レコードID","attribute_value_mlt":[{"subitem_source_identifier":"AA1231891X","subitem_source_identifier_type":"NCID"}]},"item_11_source_id_9":{"attribute_name":"ISSN","attribute_value_mlt":[{"subitem_source_identifier":"13448013","subitem_source_identifier_type":"ISSN"}]},"item_11_subject_20":{"attribute_name":"日本十進分類法","attribute_value_mlt":[{"subitem_subject":"051","subitem_subject_scheme":"NDC"}]},"item_11_text_18":{"attribute_name":"形態","attribute_value_mlt":[{"subitem_text_value":"640272 bytes"}]},"item_11_text_47":{"attribute_name":"資源タイプ・ローカル","attribute_value_mlt":[{"subitem_text_value":"紀要論文"}]},"item_11_text_48":{"attribute_name":"資源タイプ・NII","attribute_value_mlt":[{"subitem_text_value":"Departmental Bulletin Paper"}]},"item_11_text_49":{"attribute_name":"資源タイプ・DCMI","attribute_value_mlt":[{"subitem_text_value":"text"}]},"item_11_text_50":{"attribute_name":"資源タイプ・ローカル表示コード","attribute_value_mlt":[{"subitem_text_value":"03"}]},"item_11_text_79":{"attribute_name":"所属","attribute_value_mlt":[{"subitem_text_value":"比較社会文化学専攻"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"大迫, 知佳子"}],"nameIdentifiers":[{"nameIdentifier":"78169","nameIdentifierScheme":"WEKO"}]},{"creatorNames":[{"creatorName":"OSAKO, Chikako","creatorNameLang":"en"}],"nameIdentifiers":[{"nameIdentifier":"78170","nameIdentifierScheme":"WEKO"}]}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_date","date":[{"dateType":"Available","dateValue":"2018-04-20"}],"displaytype":"detail","filename":"04_29-37.pdf","filesize":[{"value":"640.3 kB"}],"format":"application/pdf","licensetype":"license_note","mimetype":"application/pdf","url":{"label":"04_29-37.pdf","url":"https://teapot.lib.ocha.ac.jp/record/39432/files/04_29-37.pdf"},"version_id":"6a4f282d-d82d-4c11-bb64-3b35fcb94986"}]},"item_keyword":{"attribute_name":"キーワード","attribute_value_mlt":[{"subitem_subject":"音楽理論","subitem_subject_scheme":"Other"},{"subitem_subject":"和声","subitem_subject_scheme":"Other"},{"subitem_subject":"フランソワ＝ジョゼフ・フェティス","subitem_subject_scheme":"Other"},{"subitem_subject":"II度音上の7の和音","subitem_subject_scheme":"Other"},{"subitem_subject":"music theory","subitem_subject_scheme":"Other"},{"subitem_subject":"harmony","subitem_subject_scheme":"Other"},{"subitem_subject":"François-Joseph Fétis","subitem_subject_scheme":"Other"},{"subitem_subject":"the supertonic seventh chord","subitem_subject_scheme":"Other"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"departmental bulletin paper","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"フランソワ＝ジョゼフ・フェティスの和声理論におけるⅡ度音上の７の和音","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"フランソワ＝ジョゼフ・フェティスの和声理論におけるⅡ度音上の７の和音"},{"subitem_title":"The supertonic seventh chord in F.-J.Fétis' theory of harmony","subitem_title_language":"en"}]},"item_type_id":"11","owner":"1","path":["823"],"pubdate":{"attribute_name":"公開日","attribute_value":"2011-06-06"},"publish_date":"2011-06-06","publish_status":"0","recid":"39432","relation_version_is_last":true,"title":["フランソワ＝ジョゼフ・フェティスの和声理論におけるⅡ度音上の７の和音"],"weko_creator_id":"1","weko_shared_id":null},"updated":"2022-12-12T05:45:21.019913+00:00"}