@article{oai:teapot.lib.ocha.ac.jp:00039518,
 author = {李, 昭静 and LEE, Sojeong},
 journal = {人間文化創成科学論叢},
 month = {Mar},
 note = {application/pdf, 紀要論文, This thesis emphasizes on UN YOUNG LA's musical point of view through the four essays written　by LA, UN YOUNG himself as a Korean composer. National music theory, church music theory, and　modern music theory are the four main themes of his essays. Considering all of these as a whole, it is　quite easy to see that the national music theory is what he really focuses on.　Through studying the collected Korean traditional songs and transcription, he uses the elements of Korean traditional music properly. Also, he clearly mentions what he has to do as an educator in order to create national music and a national music composition in a practical way. His assertion of modernizing (making modernized Korean music after establishing most of the Korean traditional music first) and making modern styles with ethnic concepts is the related topics indeed. As a composer of East Asia, he tries hard to spread the direction that the Korean national music should pursue and he was a man of deeds as well.},
 pages = {21--30},
 title = {羅運榮の民族音楽1観について : 随想集2を中心に},
 volume = {11},
 year = {2009}
}