{"created":"2021-03-01T06:45:35.485100+00:00","id":39523,"links":{},"metadata":{"_buckets":{"deposit":"d06c5087-6e33-4871-bdfb-60abb701d1d0"},"_deposit":{"id":"39523","owners":[],"pid":{"revision_id":0,"type":"depid","value":"39523"},"status":"published"},"_oai":{"id":"oai:teapot.lib.ocha.ac.jp:00039523","sets":["347:378:821"]},"item_11_biblio_info_8":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2009-03-31","bibliographicIssueDateType":"Issued"},"bibliographicPageEnd":"77","bibliographicPageStart":"67","bibliographicVolumeNumber":"11","bibliographic_titles":[{"bibliographic_title":"人間文化創成科学論叢"}]}]},"item_11_description_17":{"attribute_name":"フォーマット","attribute_value_mlt":[{"subitem_description":"application/pdf","subitem_description_type":"Other"}]},"item_11_description_46":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"subitem_description":"紀要論文","subitem_description_type":"Other"}]},"item_11_description_6":{"attribute_name":"抄録","attribute_value_mlt":[{"subitem_description":"The purpose of this paper is to clarify the Trisha Brown's intentions of choreography through the creative process of the theater piece Set and Reset.First of all, four parts of Brown's creative process are ascertained: choreographing a base movement phrase; teaching movement phrase and giving instructions to dancers; working together with dancers to develop the movement phrase further, and to find new movements vocabulary; stepping out of the dance to view the work as it evolved, to make editorial decisions.Secondly, her intention of choreography is clarified: to find the new movement vocabulary that it couldn't be created by her intention or imagine; to make the work easier for audiences to relate to.It is concluded that her intentions in the creative process of Set and Reset is to find new movements,which are aleatoric produced by dancers’ instinct, for the vocabulary in her work. This intention had not changed from Early Works. The other her intention is to tell a large audience about her work as entertainment. In Early works, she dealt with challenge and stimulation, not entertainment.","subitem_description_type":"Abstract"}]},"item_11_publisher_36":{"attribute_name":"出版者","attribute_value_mlt":[{"subitem_publisher":"お茶の水女子大学大学院人間文化創成科学研究科"}]},"item_11_source_id_11":{"attribute_name":"書誌レコードID","attribute_value_mlt":[{"subitem_source_identifier":"AA1231891X","subitem_source_identifier_type":"NCID"}]},"item_11_source_id_9":{"attribute_name":"ISSN","attribute_value_mlt":[{"subitem_source_identifier":"13448013","subitem_source_identifier_type":"ISSN"}]},"item_11_subject_20":{"attribute_name":"日本十進分類法","attribute_value_mlt":[{"subitem_subject":"051","subitem_subject_scheme":"NDC"}]},"item_11_text_18":{"attribute_name":"形態","attribute_value_mlt":[{"subitem_text_value":"1343074 bytes"}]},"item_11_text_47":{"attribute_name":"資源タイプ・ローカル","attribute_value_mlt":[{"subitem_text_value":"紀要論文"}]},"item_11_text_48":{"attribute_name":"資源タイプ・NII","attribute_value_mlt":[{"subitem_text_value":"Departmental Bulletin Paper"}]},"item_11_text_49":{"attribute_name":"資源タイプ・DCMI","attribute_value_mlt":[{"subitem_text_value":"text"}]},"item_11_text_50":{"attribute_name":"資源タイプ・ローカル表示コード","attribute_value_mlt":[{"subitem_text_value":"03"}]},"item_11_text_79":{"attribute_name":"所属","attribute_value_mlt":[{"subitem_text_value":"比較社会文化学専攻"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"白澤, 舞"}],"nameIdentifiers":[{"nameIdentifier":"77978","nameIdentifierScheme":"WEKO"}]},{"creatorNames":[{"creatorName":"SHIRASAWA, Mai","creatorNameLang":"en"}],"nameIdentifiers":[{"nameIdentifier":"77979","nameIdentifierScheme":"WEKO"}]}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_date","date":[{"dateType":"Available","dateValue":"2018-04-20"}],"displaytype":"detail","filename":"8_67-77.pdf","filesize":[{"value":"1.3 MB"}],"format":"application/pdf","licensetype":"license_note","mimetype":"application/pdf","url":{"label":"8_67-77.pdf","url":"https://teapot.lib.ocha.ac.jp/record/39523/files/8_67-77.pdf"},"version_id":"9bc60c22-e361-44fd-89fb-dd7ea17c080b"}]},"item_keyword":{"attribute_name":"キーワード","attribute_value_mlt":[{"subitem_subject":"トリシャ・ブラウン","subitem_subject_scheme":"Other"},{"subitem_subject":"舞踊家","subitem_subject_scheme":"Other"},{"subitem_subject":"劇場舞踊","subitem_subject_scheme":"Other"},{"subitem_subject":"創作過程","subitem_subject_scheme":"Other"},{"subitem_subject":"創作意図","subitem_subject_scheme":"Other"},{"subitem_subject":"Trisha Brown","subitem_subject_scheme":"Other"},{"subitem_subject":"Choreographer","subitem_subject_scheme":"Other"},{"subitem_subject":"Theater dance","subitem_subject_scheme":"Other"},{"subitem_subject":"The creative process","subitem_subject_scheme":"Other"},{"subitem_subject":"The intentions ofchoreography.","subitem_subject_scheme":"Other"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"departmental bulletin paper","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"Trisha Brown（1936-）研究 : 劇場舞踊作品《Set and Reset》（1983）の創作過程に見る作品創作意図","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"Trisha Brown（1936-）研究 : 劇場舞踊作品《Set and Reset》（1983）の創作過程に見る作品創作意図"},{"subitem_title":"The Research on Trisha Brown (1936-) : The Intentions of Choreography in the Creative Process of the Theater Piece Set and Reset (1983)","subitem_title_language":"en"}]},"item_type_id":"11","owner":"1","path":["821"],"pubdate":{"attribute_name":"公開日","attribute_value":"2009-07-22"},"publish_date":"2009-07-22","publish_status":"0","recid":"39523","relation_version_is_last":true,"title":["Trisha Brown（1936-）研究 : 劇場舞踊作品《Set and Reset》（1983）の創作過程に見る作品創作意図"],"weko_creator_id":"1","weko_shared_id":null},"updated":"2022-12-12T05:45:31.949275+00:00"}