@article{oai:teapot.lib.ocha.ac.jp:00039526,
 author = {上野, 未央 and UENO, Mio},
 journal = {人間文化創成科学論叢},
 month = {Mar},
 note = {application/pdf, 紀要論文, The aim of this paper is to reorganize English carol containing manuscripts and printed books that were produced between the thirteenth and sixteenth centuries, which total 103 in number.When rearranged in chronological order, it becomes clear that only clerics recorded carols from the thirteenth to the fifteenth century, with lay writers appearing from the sixteenth century onwards.Carol manuscripts were almost exclusively owned by clergy during the thirteenth and fourteenth centuries, with lay people began to own carol manuscripts from the fifteenth century onwards. One particular owner of a fifteenth century carol manuscript was a minstrel, and he may have used the carols in the manuscript in his repertory. Examples of greater numbers of lay owners of carol manuscripts must reflect the rise of literacy and education during the late Middle Ages.Also, up to the sixteenth century, carols were recorded among sermons and Latin verses, which suggests that carols were used in teaching. However, other manuscripts from the fifteenth and sixteenth centuries collected mainly carols in preference to other items. Some caro\
l manuscripts were enjoyed in the royal court. Thus, it appears that a wider variety of carols were performed during the fifteenth and sixteenth centuries.Moreover, carols may have been influenced by the context of where and to whom they were performed. In future, I should like to focus on the changes in the meanings of carols over time.},
 pages = {97--107},
 title = {中世後期～近世初期イングランドの俗語歌謡 : 写本群の分析から},
 volume = {11},
 year = {2009}
}