@article{oai:teapot.lib.ocha.ac.jp:00039674,
 author = {松下, 真記 and MATSUSHITA, Maki},
 journal = {人間文化論叢},
 month = {},
 note = {application/pdf, 紀要論文, Andrea Mantegna (1430/31-1506), one of the greatest disciples of Squarcione, signed his two works using "cartellino" (a fictional small paper represented on tableau as if it were real) as early as c.1450. Meanwhile, from the mid 15th century, the studio of Squarcione, where Mantegna had also studied, produced many miniaturists and became a great center for the production of book illumination. The most important aspect of these miniaturists' work, outside the introduction of classicizing motifs, was the virtuoso display of trompe l'oeil illusionism. The miniaturists created papers filled with illusionstic effects. The papers are often depicted as though folded, turned up, rolled up or torn along the edge. This paper aims to prove that there is a common enthusiasm for trompe l'oeil of paper between Mantegna and Paduan miniaturists, and examines the possibility of a relationship between the two groups.},
 pages = {123--134},
 title = {マンテーニャと15世紀後半パドヴァ写本 : 紙の表象をめぐって},
 volume = {8},
 year = {2005}
}