{"created":"2021-03-01T06:49:20.973902+00:00","id":42885,"links":{},"metadata":{"_buckets":{"deposit":"b6ca6f8c-56f7-4227-b758-5f9df9332d2c"},"_deposit":{"id":"42885","owners":[],"pid":{"revision_id":0,"type":"depid","value":"42885"},"status":"published"},"_oai":{"id":"oai:teapot.lib.ocha.ac.jp:00042885","sets":["347:378:2369"]},"item_11_alternative_title_23":{"attribute_name":"タイトル（ヨミ）","attribute_value_mlt":[{"subitem_alternative_title":"Journal of the Graduate School of Humanities and Sciences"}]},"item_11_biblio_info_8":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2020-03-31","bibliographicIssueDateType":"Issued"},"bibliographicPageEnd":"38","bibliographicPageStart":"29","bibliographicVolumeNumber":"22","bibliographic_titles":[{"bibliographic_title":"人間文化創成科学論叢"}]}]},"item_11_description_46":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"subitem_description":"紀要論文","subitem_description_type":"Other"}]},"item_11_description_6":{"attribute_name":"抄録","attribute_value_mlt":[{"subitem_description":"　In the early 1950s, the Japanese-American sculptor Isamu Noguchi (1904-1988) designed handrails for two bridges, the Peace Bridge and the West Peace Bridge, for the Peace Memorial Park in Hiroshima. The construction of the park, initiated by the architect Kenzo Tange, was conducted within a post-war sentiment in Japan that sought a pacifist identity of the nation to replace the wartime fascist image. Noguchi’s participation was appreciated in accordance with the international appeal of the city’s reconstruction project.\n　This paper examines some of Noguchi’s photographs of Jantar Mantar, India, during his post-war travels, the Bollingen Journey, as potential image sources of his handrails. Although critical of the modernist idea of ‘art’s autonomy’, Noguchi saw ‘universality’ within the abstract form and presumably applied this idea when he was working for Hiroshima. While his handrails had been appreciated journalistically as a symbol of the reconstructed city, some voices suggested suspicion about the sense of alienation that the modernist design brought. The discord between Noguchi’s utopian thought and the reception of his art marks the limitation of the modernist aesthetics that aspired for the ubiquity of art.","subitem_description_type":"Abstract"}]},"item_11_full_name_2":{"attribute_name":"著者(ヨミ)","attribute_value_mlt":[{"nameIdentifiers":[{"nameIdentifier":"114191","nameIdentifierScheme":"WEKO"}],"names":[{"name":"ウチヤマ, ナオコ"}]}]},"item_11_identifier_registration":{"attribute_name":"ID登録","attribute_value_mlt":[{"subitem_identifier_reg_text":"10.24567/00063680","subitem_identifier_reg_type":"JaLC"}]},"item_11_publisher_36":{"attribute_name":"出版者","attribute_value_mlt":[{"subitem_publisher":"お茶の水女子大学大学院人間文化創成科学研究科"}]},"item_11_select_19":{"attribute_name":"著者版フラグ","attribute_value_mlt":[{"subitem_select_item":"publisher"}]},"item_11_source_id_11":{"attribute_name":"書誌レコードID","attribute_value_mlt":[{"subitem_source_identifier":"AA1231891X","subitem_source_identifier_type":"NCID"}]},"item_11_text_47":{"attribute_name":"資源タイプ・ローカル","attribute_value_mlt":[{"subitem_text_value":"紀要論文"}]},"item_11_text_48":{"attribute_name":"資源タイプ・NII","attribute_value_mlt":[{"subitem_text_value":"Departmental Bulletin Paper"}]},"item_11_text_49":{"attribute_name":"資源タイプ・DCMI","attribute_value_mlt":[{"subitem_text_value":"text "}]},"item_11_text_50":{"attribute_name":"資源タイプ・ローカル表示コード","attribute_value_mlt":[{"subitem_text_value":"03"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"内山, 尚子"}],"nameIdentifiers":[{"nameIdentifier":"114190","nameIdentifierScheme":"WEKO"}]},{"creatorNames":[{"creatorName":"UCHIYMA, Naoko","creatorNameLang":"en"}],"nameIdentifiers":[{"nameIdentifier":"114192","nameIdentifierScheme":"WEKO"}]}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_date","date":[{"dateType":"Available","dateValue":"2020-06-18"}],"displaytype":"detail","filename":"04_NINGENBUNKA-SOSEIKAGAKU-RONSO-22,p29-38.pdf","filesize":[{"value":"3.3 MB"}],"format":"application/pdf","licensetype":"license_note","mimetype":"application/pdf","url":{"label":"04_NINGENBUNKA-SOSEIKAGAKU-RONSO-22,p29-38.pdf","url":"https://teapot.lib.ocha.ac.jp/record/42885/files/04_NINGENBUNKA-SOSEIKAGAKU-RONSO-22,p29-38.pdf"},"version_id":"a421f174-7372-4868-bf0c-2bc100bc9009"}]},"item_keyword":{"attribute_name":"キーワード","attribute_value_mlt":[{"subitem_subject":"イサム・ノグチ","subitem_subject_scheme":"Other"},{"subitem_subject":"平和大橋","subitem_subject_scheme":"Other"},{"subitem_subject":"西平和大橋","subitem_subject_scheme":"Other"},{"subitem_subject":"広島平和記念公園","subitem_subject_scheme":"Other"},{"subitem_subject":"モダニズム","subitem_subject_scheme":"Other"},{"subitem_subject":"Isamu Noguchi","subitem_subject_scheme":"Other"},{"subitem_subject":"Peace Bridge","subitem_subject_scheme":"Other"},{"subitem_subject":"West Peace Bridge","subitem_subject_scheme":"Other"},{"subitem_subject":"Hiroshima Peace Memorial Park","subitem_subject_scheme":"Other"},{"subitem_subject":"Modernism","subitem_subject_scheme":"Other"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"departmental bulletin paper","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"《つくる》と《ゆく》に見るイサム・ノグチのモダニズムとその限界：広島平和記念公園のための平和大橋と西平和大橋の欄干デザインをめぐって","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"《つくる》と《ゆく》に見るイサム・ノグチのモダニズムとその限界：広島平和記念公園のための平和大橋と西平和大橋の欄干デザインをめぐって"},{"subitem_title":"Isamu Noguchi’s Modernism and Its Limitation in Tsukuru and Yuku: Handrails of the Peace Bridge and the West Peace Bridge for the Hiroshima Peace Memorial Park","subitem_title_language":"en"}]},"item_type_id":"11","owner":"1","path":["2369"],"pubdate":{"attribute_name":"公開日","attribute_value":"2020-06-18"},"publish_date":"2020-06-18","publish_status":"0","recid":"42885","relation_version_is_last":true,"title":["《つくる》と《ゆく》に見るイサム・ノグチのモダニズムとその限界：広島平和記念公園のための平和大橋と西平和大橋の欄干デザインをめぐって"],"weko_creator_id":"1","weko_shared_id":3},"updated":"2022-12-12T05:48:53.829539+00:00"}