@article{oai:teapot.lib.ocha.ac.jp:00042893,
 author = {安原, 道子 and YASUHARA, Michiko},
 journal = {人間文化創成科学論叢},
 month = {Mar},
 note = {紀要論文, Burabura-bushi is a folk song that has been inherited as banquet song (“Ozashiki-uta”) in Nagasaki until today. It was first mentioned in July, 1930, in Osaka Asahi Shinbun newspaper in an article series “Travel through folk songs” by Saijo Yaso (which namely includes his documentary article “Burabura-bushi in Nagasaki”). This newspaper covered the regions west of Osaka, which rendered the song enough known to a prominent number of its readers in West-Japan. This event was followed by the issuing of two of the song’s record discs in the following years: one in September, 1930, and the other in May, 1931, both performed by Nagasaki’s Geishas. The recording companies were Nipponohon and Victor respectively, both of which were the nationalwide companies in disc production industry. These facts contributed to the song’s coming out of the closed ambience of banquet room to get diffused to a larger public by means of disc and radio medias and to consequently get wider popularity among people in whole Japan.
　This thesis has as its object to analyse which effect Saijo’s encounter with the song had on the historical process of inheriting it by focusing on his above mentioned newspaper article.},
 pages = {105--115},
 title = {昭和初期における長崎の「ぶらぶら節」と西條八十の接点 ─「民謡の旅」の記事を中心に─},
 volume = {22},
 year = {2020}
}