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A Language That Speaks of What Is Other: A Ruptured Body Amid/Against Violence in Gloria Anzaldúa’s Borderlands/La Frontera (1987)
http://hdl.handle.net/10083/0002003541
http://hdl.handle.net/10083/00020035415db36230-d193-4ed8-9cd4-da21a05e3ffb
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
12_03_morishita.pdf
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| Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||||||
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| 公開日 | 2023-05-08 | |||||||||
| タイトル | ||||||||||
| タイトル | A Language That Speaks of What Is Other: A Ruptured Body Amid/Against Violence in Gloria Anzaldúa’s Borderlands/La Frontera (1987) | |||||||||
| 言語 | en | |||||||||
| 言語 | ||||||||||
| 言語 | eng | |||||||||
| キーワード | ||||||||||
| 言語 | en | |||||||||
| 主題Scheme | Other | |||||||||
| 主題 | A Language That Speaks of What Is Other: A Ruptured Body Amid/Against Violence in Gloria Anzaldúa’s Borderlands/La Frontera (1987) | |||||||||
| キーワード | ||||||||||
| 言語 | en | |||||||||
| 主題Scheme | Other | |||||||||
| 主題 | borderlands | |||||||||
| キーワード | ||||||||||
| 言語 | en | |||||||||
| 主題Scheme | Other | |||||||||
| 主題 | wounds | |||||||||
| キーワード | ||||||||||
| 言語 | en | |||||||||
| 主題Scheme | Other | |||||||||
| 主題 | disidentification | |||||||||
| キーワード | ||||||||||
| 言語 | en | |||||||||
| 主題Scheme | Other | |||||||||
| 主題 | non-violence | |||||||||
| キーワード | ||||||||||
| 言語 | en | |||||||||
| 主題Scheme | Other | |||||||||
| 主題 | the other | |||||||||
| 資源タイプ | ||||||||||
| 資源 | http://purl.org/coar/resource_type/c_6501 | |||||||||
| タイプ | departmental bulletin paper | |||||||||
| アクセス権 | ||||||||||
| アクセス権 | open access | |||||||||
| アクセス権URI | http://purl.org/coar/access_right/c_abf2 | |||||||||
| 著者 |
森下, 早也香
× 森下, 早也香
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| 抄録 | ||||||||||
| 内容記述タイプ | Abstract | |||||||||
| 内容記述 | This article explores how Gloria Anzaldúa depicts non-unitary subjectivity or borderland states of existence in one of her works, Borderlands/La Frontera. It will place special focus on the representation of wounds and ruptured body depicted in the text and ponder over its ethical relation with the other. First, it will investigate how Anzaldúa depicts her borderland states of existence in the first half of Borderlands/ La Frontera. It will especially focus on the depiction of wounds of the disenfranchised and how Anzaldúa tries to deal with those wounds and pains caused by the violent regime. It will analyze the transition that occurs on her body, which is prompted by her wound or pain caused by her peculiar locality or predicament. It will minutely follow the text and examine how the transition or process is depicted and how her wound eventually opens itself up to the other. By referring to some theories such as theoretical contemplation on subjectivity, violence and alterity and psychoanalytic redemption on death drive argued by Butler, Deleuze, Spivak, and other scholars who mentioned Anzaldua’s thoughts and works to explore some clues for understanding Anzaldúa’s literary expressions, it will discuss why negative, grotesque or visceral subject matter such as wound or pain is necessary when we talk about ethical theme, an opening to or an encounter with the other. It will also consider the relation between her wound and the sense of liberation, which is perceived in her poetry. Finally, it will discuss how Anzaldúa describes the encounter with the unknown or the other through the depiction of her ruptured body in borderlands to explore what is radical about the delineation of her non-unitary existence. | |||||||||
| 言語 | en | |||||||||
| 書誌情報 |
ja : お茶の水女子大学英文学会 研究報告 en : Journal of the Ochanomizu University English Society 巻 12, p. 5-19, 発行日 2023 |
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| 出版タイプ | ||||||||||
| 出版タイプ | VoR | |||||||||
| 出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||||||
| 出版者 | ||||||||||
| 出版者 | お茶の水女子大学英文学会 | |||||||||
| 言語 | ja | |||||||||
