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  1. 紀要
  2. F-GENSジャーナル
  3. 5

The Transformation of a Widow: A Revision of Webster's Play on the Restoration Stage and Erotic Elements

http://hdl.handle.net/10083/3862
http://hdl.handle.net/10083/3862
dd9ee663-9205-4553-9083-51d08ecb78ae
名前 / ファイル ライセンス アクション
FGENS05_P354nadehara.pdf FGENS05_P354nadehara.pdf (516.1 kB)
Item type 紀要論文 / Departmental Bulletin Paper(1)
公開日 2008-05-23
タイトル
タイトル ある未亡人の変容 ― 王政復古期のジョン・ウェブスター改作劇とエロティックな描写 ―
タイトル
言語 en
タイトル The Transformation of a Widow: A Revision of Webster's Play on the Restoration Stage and Erotic Elements
言語
言語 jpn
キーワード
主題Scheme Other
主題 改作
キーワード
主題Scheme Other
主題 女性俳優
キーワード
主題Scheme Other
主題 セクシュアリティ
キーワード
主題Scheme Other
主題 Adaptation
キーワード
主題Scheme Other
主題 Female Actors
キーワード
主題Scheme Other
主題 Sexuality
資源タイプ
資源 http://purl.org/coar/resource_type/c_6501
タイプ departmental bulletin paper
著者 撫原, 華子

× 撫原, 華子

WEKO 66062

撫原, 華子

Search repository
NADEHARA, Hanako

× NADEHARA, Hanako

WEKO 66064

en NADEHARA, Hanako

Search repository
著者(ヨミ)
識別子 66063
識別子Scheme WEKO
姓名 ナデハラ, ハナコ
抄録
内容記述タイプ Abstract
内容記述 This essay deals with the transformation in the representations of the heroines' sexuality in John Webster's The Duchess of Malfi(1614)and its adaptation, James Shirley's The Cardinal(1641)as they were performed on the Restoration stage. In The Cardinal, which was licensed in 1641 and became part of the repertoire of the King's company after the Restoration, Duchess Rosaura is depicted as an asexual widow in sharp contrast to a sexual widow, the Duchess of Malfi. The Cardinal was written to be performed by all-male casts before the interregnal closure of the theatres. However, The Cardinal could be considered to be a herald of a trend which was to be conspicuous eighteen years later, in which the sexuality of female characters tended to disappear from the scripts of the adaptations of The Duchess of Malfi. By discussing the female representation of Shirley's Duchess in the light of the appearance of the first English female actors, this essay argues that the sexuality of female characters was represented by the bodily presence of the female actor on the Restoration stage, just as it was fully verbalized in the\
script written by playwrights on the earlier stage.
書誌情報 F-GENSジャーナル

巻 5, p. 354-358, 発行日 2006-03
書誌レコードID
収録物識別子タイプ NCID
収録物識別子 AA11937020
フォーマット
内容記述タイプ Other
内容記述 application/pdf
形態
516145 bytes
日本十進分類法
主題Scheme NDC
主題 367
出版者
出版者 お茶の水女子大学21世紀COEプログラムジェンダー研究のフロンティア
資源タイプ
内容記述タイプ Other
内容記述 紀要論文
資源タイプ・ローカル
紀要論文
資源タイプ・NII
Departmental Bulletin Paper
資源タイプ・DCMI
text
資源タイプ・ローカル表示コード
03
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