WEKO3
アイテム
「観客との相互創造」の戦略 : 寺山修司の『青ひげ公の城』
http://hdl.handle.net/10083/50793
http://hdl.handle.net/10083/507931fe998ad-cd73-4bf0-833d-807b96a930cb
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
40_2(1)-2(8).pdf (440.5 kB)
|
|
| Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
|---|---|---|---|---|---|---|
| 公開日 | 2011-06-15 | |||||
| タイトル | ||||||
| タイトル | 「観客との相互創造」の戦略 : 寺山修司の『青ひげ公の城』 | |||||
| タイトル | ||||||
| タイトル | The strategy for 'mutual creation between performers and an audience' : on Terayama Shūji’s play, "Bluebeard's castle" | |||||
| 言語 | en | |||||
| 言語 | ||||||
| 言語 | jpn | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | 中心の不在 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | 中断 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | 虚実の混在 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | 観客との相互創造 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | 商業演劇 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | Absence of the center | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | interruption | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | blending illusion with reality | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | mutual creation between performers and an audience | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | commercial theater | |||||
| 資源タイプ | ||||||
| 資源 | http://purl.org/coar/resource_type/c_6501 | |||||
| タイプ | departmental bulletin paper | |||||
| 著者 |
久保, 陽子
× 久保, 陽子× KUBO, Yoko |
|||||
| 抄録 | ||||||
| 内容記述タイプ | Abstract | |||||
| 内容記述 | This paper aims for making it clear what did Terayama Shūji(1935-1983) mean by his concept: Mutual creation between performers and an audience on his commercial theatre, “Bluebeard's castle” (1979). He regarded the audience as an indispensable partaker. He set devices to draw an audience into his drama. These were absent of the center, interruption, blending illusion with reality and disorientation. They, he expected, would excite imagination of an audience. These devices got an audience perplexed and confused. After all, they give up to hold imagination because they could not follow the development of the story in a consistent way anymore. In that case, their imagination could not help orienting to the daily life outside the theater. The playwright argued and persuaded an audience that the drama is not in theater but in everyday life. In this sense we could say he succeeded in his experimental attempt to involve the audience in his drama under the condition of commercial theatre. | |||||
| 書誌情報 |
人間文化創成科学論叢 巻 13, p. 2.1-2.8, 発行日 2011-03 |
|||||
| ISSN | ||||||
| 収録物識別子タイプ | ISSN | |||||
| 収録物識別子 | 13448013 | |||||
| 書誌レコードID | ||||||
| 収録物識別子タイプ | NCID | |||||
| 収録物識別子 | AA1231891X | |||||
| フォーマット | ||||||
| 内容記述タイプ | Other | |||||
| 内容記述 | application/pdf | |||||
| 形態 | ||||||
| 440517 bytes | ||||||
| 著者版フラグ | ||||||
| 値 | publisher | |||||
| 日本十進分類法 | ||||||
| 主題Scheme | NDC | |||||
| 主題 | 051 | |||||
| 出版者 | ||||||
| 出版者 | お茶の水女子大学大学院人間文化創成科学研究科 | |||||
| 資源タイプ | ||||||
| 内容記述タイプ | Other | |||||
| 内容記述 | 紀要論文 | |||||
| 資源タイプ・ローカル | ||||||
| 紀要論文 | ||||||
| 資源タイプ・NII | ||||||
| Departmental Bulletin Paper | ||||||
| 資源タイプ・DCMI | ||||||
| text | ||||||
| 資源タイプ・ローカル表示コード | ||||||
| 03 | ||||||
| 所属 | ||||||
| 比較社会文化学専攻 | ||||||
