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  1. 紀要
  2. 人間文化創成科学論叢
  3. 10

FÉTIS, François-Joseph's Theory of Harmony : Focusing on Esquisse de l'histoire de l'harmonie, considéréé comme art et comme science systématique

http://hdl.handle.net/10083/35736
http://hdl.handle.net/10083/35736
36704cc4-cb48-41d9-a60d-d5a659939f1b
名前 / ファイル ライセンス アクション
19_177-185.pdf 19_177-185.pdf (946.1 kB)
Item type 紀要論文 / Departmental Bulletin Paper(1)
公開日 2010-02-25
タイトル
タイトル フェティスの和声理論に関する一考察 : Esquisse de l'histoire de l'harmonie, consideree comme art et comme science systematiqueを中心に
タイトル
言語 en
タイトル FÉTIS, François-Joseph's Theory of Harmony : Focusing on Esquisse de l'histoire de l'harmonie, considéréé comme art et comme science systématique
言語
言語 jpn
キーワード
主題Scheme Other
主題 音楽史
キーワード
主題Scheme Other
主題 音楽理論
キーワード
主題Scheme Other
主題 和声
キーワード
主題Scheme Other
主題 フェティス
キーワード
主題Scheme Other
主題 music history
キーワード
主題Scheme Other
主題 music theory
キーワード
主題Scheme Other
主題 harmony
キーワード
主題Scheme Other
主題 FÉTIS
キーワード
主題Scheme Other
主題 François-Joseph
資源タイプ
資源 http://purl.org/coar/resource_type/c_6501
タイプ departmental bulletin paper
著者 大迫, 知佳子

× 大迫, 知佳子

WEKO 77889

大迫, 知佳子

Search repository
OSAKO, Chikako

× OSAKO, Chikako

WEKO 77891

en OSAKO, Chikako

Search repository
著者(ヨミ)
識別子 77890
識別子Scheme WEKO
姓名 おおさこ, ちかこ
抄録
内容記述タイプ Abstract
内容記述 The Esquisse de l'histoire de l'harmonie, considéréé comme art et comme science systématique of FÉTIS, François-Joseph (1784-1871), published in Paris in 1840, was highly evaluated as an excellent history research on musical theory. This work outlines the theories of Franco of Cologne, Rameau, Jean-Philippe (1683-1764), Euler, Leonhard (1707-1783) and many other theorists, and includes Fétis' own criticism against them. The aim of this study is to bring out Fétis' original ideas about harmony and its theory through an analysis of his criticism towards other theories in the Esquisse. It seems that his criticism represents his fundamental attitude towards the concept of harmony. Close examination reveals that Fétis showed three fundamental concepts as his own harmonic theory. Firstly, he classified consonance and dissonance in his own way. Secondly, he harshly criticized the way of explaining harmony only by overtone theories or mathematics. And thirdly, he suggested four stages of tonality: <unitonique>, <ordre transitonique>, <ordre pluritonique> and <ordre omnitonique>.
書誌情報 人間文化創成科学論叢

巻 10, p. 177-185, 発行日 2008-03-31
ISSN
収録物識別子タイプ ISSN
収録物識別子 13448013
書誌レコードID
収録物識別子タイプ NCID
収録物識別子 AA1231891X
フォーマット
内容記述タイプ Other
内容記述 application/pdf
形態
946134 bytes
日本十進分類法
主題Scheme NDC
主題 051
出版者
出版者 お茶の水女子大学大学院人間文化創成科学研究科
資源タイプ
内容記述タイプ Other
内容記述 紀要論文
資源タイプ・ローカル
紀要論文
資源タイプ・NII
Departmental Bulletin Paper
資源タイプ・DCMI
text
資源タイプ・ローカル表示コード
03
所属
比較社会文化学専攻
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