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1893年シカゴ万国博覧会「女性館」への日本の出品 : 「女性の芸術」をめぐって
http://hdl.handle.net/10083/2450
http://hdl.handle.net/10083/245022618ab8-4ffe-49c1-b43c-0c8d55b1103b
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
KJ00004831686.pdf (2.5 MB)
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| Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
|---|---|---|---|---|---|---|
| 公開日 | 2008-04-30 | |||||
| タイトル | ||||||
| タイトル | 1893年シカゴ万国博覧会「女性館」への日本の出品 : 「女性の芸術」をめぐって | |||||
| タイトル | ||||||
| タイトル | The Japanese Exhibit at the Woman's Building in the World's Columbian Exposition 1893 : Focusing on Women's Art | |||||
| 言語 | en | |||||
| 言語 | ||||||
| 言語 | jpn | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | コロンビア博覧会 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | 女性館 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | 女性の芸術 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | 日本の展示 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | World's Columbian Exposition | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | Woman's Building | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | Women's Art | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | Japanese exhibit | |||||
| 資源タイプ | ||||||
| 資源 | http://purl.org/coar/resource_type/c_6501 | |||||
| タイプ | departmental bulletin paper | |||||
| 著者 |
味岡, 京子
× 味岡, 京子× AJIOKA, Kyoko |
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| 著者(ヨミ) | ||||||
| 識別子Scheme | WEKO | |||||
| 識別子 | 78699 | |||||
| 姓名 | アジオカ, キョウコ | |||||
| 内容記述 | ||||||
| 内容記述タイプ | Other | |||||
| 内容記述 | The World's Columbian Exposition was held in Chicago, USA, in 1893. There was a pavilion in the exposition known as the Woman's Building, which was completely organized and managed by women. This writing discloses the background to how Japan became part of the Woman's Building and what the exhibition was like, and considers Japan's purpose at that time and how it interacted with Western trends. The Japanese government spent a large amount of money for taking part in The World's Columbian Exposition with the prime purpose of promoting trade and introducing Japanese art to the world. Since it was the preceding year to the Sino-Japanese War, it seems that they also had the intention to appeal for Japan's superiority as the only modernized country in Asia and justify its colonial orientation. Women's art-a subject to which scant attention had been paid in Japan-was redefined in the process of modernization by providing new meanings through exhibits at the Woman's Building. This article aims to emphasize the role of women in modernization through the relationship between art and women, by revealing the status of\ women artists and what was expected of them. |
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| 書誌情報 |
人間文化論叢 巻 9, p. 1-11, 発行日 2006 |
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| ISSN | ||||||
| 収録物識別子タイプ | ISSN | |||||
| 収録物識別子 | 13448013 | |||||
| 書誌レコードID | ||||||
| 収録物識別子タイプ | NCID | |||||
| 収録物識別子 | AA11356899 | |||||
| フォーマット | ||||||
| 内容記述タイプ | Other | |||||
| 内容記述 | application/pdf | |||||
| 形態 | ||||||
| 2523849 bytes | ||||||
| 日本十進分類法 | ||||||
| 主題Scheme | NDC | |||||
| 主題 | 051 | |||||
| 出版者 | ||||||
| 出版者 | お茶の水女子大学大学院人間文化研究科 | |||||
| 資源タイプ | ||||||
| 内容記述タイプ | Other | |||||
| 内容記述 | 紀要論文 | |||||
| 資源タイプ・ローカル | ||||||
| 紀要論文 | ||||||
| 資源タイプ・NII | ||||||
| Departmental Bulletin Paper | ||||||
| 資源タイプ・DCMI | ||||||
| text | ||||||
| 資源タイプ・ローカル表示コード | ||||||
| 03 | ||||||
| 所属 | ||||||
| 比較社会文化学専攻 | ||||||
