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漱石文学における「縹緲」 ―『虞美人草』の「縹緲のあなた」あるいは仙境としての『草枕』について―
http://hdl.handle.net/10083/00063291
http://hdl.handle.net/10083/000632914ad7395c-0f47-4837-93f9-714498725f29
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
05 NINGENBUNKA-SOSEIKAGAKU-RONSO-21,p43-52.pdf (552.8 kB)
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| Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
|---|---|---|---|---|---|---|
| 公開日 | 2019-05-08 | |||||
| タイトル | ||||||
| タイトル | 漱石文学における「縹緲」 ―『虞美人草』の「縹緲のあなた」あるいは仙境としての『草枕』について― | |||||
| タイトル | ||||||
| タイトル | An Analysis of“ Piaomiao 縹緲” in the Literature of Natsume Soseki | |||||
| 言語 | en | |||||
| 言語 | ||||||
| 言語 | jpn | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | Natsume Soseki | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | Chinese Poetry | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | Chinese Literature | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | Gubijinsou | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | Kusamakura | |||||
| 資源タイプ | ||||||
| 資源 | http://purl.org/coar/resource_type/c_6501 | |||||
| タイプ | departmental bulletin paper | |||||
| 著者 |
胡, 潁芝
× 胡, 潁芝× WU, Wing Chi |
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| 抄録 | ||||||
| 内容記述タイプ | Abstract | |||||
| 内容記述 | In Natsume Soseki’s novel Gubijinsou, the word “Piaomiao” has been used twice in describing the main character Kouno’s ideal world. “ Piaomiao” is a word originated from Chinese Classics with the meaning of“ high, distant and faint” and has been connected to the thought of Immortals afterwards. This word is not only used in Gubijinsou, but is also being used intentionally in other Soseki’s works. Therefore, this word is considered to be used to describe the world which is distant from the reality world. And then we turn an eye on Soseki’s another novel Kusamakura. Although Nagoi, the locale in Kusamakura, has many similarities with the fairyland in the novels of the Six Dynasties, it is not a real fairyland since it does not contain the essence of a fairyland. Furthermore, fairyland-like Nagoi and Kouno’s “Piaomiao” ideal world have the same“ vague” image in common, which is considered to be the characteristic of Soseki’s fairyland in his works. The “vague” image of his fairyland shows the conflict in the intellectuals who tried but failed to escape from the painful reality world. And his fairyland is only a temporary comfort for the intellectuals, including Soseki himself, who suffer from the collision of Modernization in Meiji Period. |
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| 書誌情報 |
人間文化創成科学論叢 巻 21, p. 43-52, 発行日 2019-03-31 |
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| 書誌レコードID | ||||||
| 収録物識別子タイプ | NCID | |||||
| 収録物識別子 | AA1231891X | |||||
| 著者版フラグ | ||||||
| 値 | publisher | |||||
| 出版者 | ||||||
| 出版者 | お茶の水女子大学大学院人間文化創成科学研究科 | |||||
| 資源タイプ | ||||||
| 内容記述タイプ | Other | |||||
| 内容記述 | 紀要論文 | |||||
| 資源タイプ・ローカル | ||||||
| 紀要論文 | ||||||
| 資源タイプ・NII | ||||||
| Departmental Bulletin Paper | ||||||
| 資源タイプ・DCMI | ||||||
| text | ||||||
| 資源タイプ・ローカル表示コード | ||||||
| 03 | ||||||
