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戦後日本映画における女性の衣裳表現の変容―小津安二郎の『秋日和』の和装と洋装の対比を中心に
http://hdl.handle.net/10083/0002004153
http://hdl.handle.net/10083/0002004153f0d8ec5e-5aa7-4702-82ca-1be238e563f1
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
ronso_26_01_ito.pdf
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| Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||||||
|---|---|---|---|---|---|---|---|---|---|---|
| 公開日 | 2024-04-12 | |||||||||
| タイトル | ||||||||||
| タイトル | 戦後日本映画における女性の衣裳表現の変容―小津安二郎の『秋日和』の和装と洋装の対比を中心に | |||||||||
| 言語 | ja | |||||||||
| タイトル | ||||||||||
| タイトル | Transformation of Women’s Costume Expression in the Postwar Japanese Films: The Contrast between Japanese Clothes and Western Clothes in Yasujirō Ozu’s Late Autumn | |||||||||
| 言語 | en | |||||||||
| 言語 | ||||||||||
| 言語 | jpn | |||||||||
| キーワード | ||||||||||
| 言語 | ja | |||||||||
| 主題Scheme | Other | |||||||||
| 主題 | 小津安二郎 | |||||||||
| キーワード | ||||||||||
| 言語 | ja | |||||||||
| 主題Scheme | Other | |||||||||
| 主題 | 洋装化 | |||||||||
| キーワード | ||||||||||
| 言語 | ja | |||||||||
| 主題Scheme | Other | |||||||||
| 主題 | 『秋日和』 | |||||||||
| キーワード | ||||||||||
| 言語 | ja | |||||||||
| 主題Scheme | Other | |||||||||
| 主題 | 母娘関係 | |||||||||
| キーワード | ||||||||||
| 言語 | ja | |||||||||
| 主題Scheme | Other | |||||||||
| 主題 | 映画衣裳 | |||||||||
| キーワード | ||||||||||
| 言語 | en | |||||||||
| 主題Scheme | Other | |||||||||
| 主題 | Yasujirō Ozu | |||||||||
| キーワード | ||||||||||
| 言語 | en | |||||||||
| 主題Scheme | Other | |||||||||
| 主題 | Westernization | |||||||||
| キーワード | ||||||||||
| 言語 | en | |||||||||
| 主題Scheme | Other | |||||||||
| 主題 | Late Autumn | |||||||||
| キーワード | ||||||||||
| 言語 | en | |||||||||
| 主題Scheme | Other | |||||||||
| 主題 | Mother-Daughter Relationship | |||||||||
| キーワード | ||||||||||
| 言語 | en | |||||||||
| 主題Scheme | Other | |||||||||
| 主題 | Film Costume | |||||||||
| 資源タイプ | ||||||||||
| 資源 | http://purl.org/coar/resource_type/c_6501 | |||||||||
| タイプ | departmental bulletin paper | |||||||||
| アクセス権 | ||||||||||
| アクセス権 | open access | |||||||||
| アクセス権URI | http://purl.org/coar/access_right/c_abf2 | |||||||||
| 著者 |
伊藤, 愛美
× 伊藤, 愛美
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| 抄録 | ||||||||||
| 内容記述タイプ | Abstract | |||||||||
| 内容記述 | In Japanese films produced at the beginning of the 1930s, women in Japanese clothes and those in Western clothes seemed to be stereotypically presented as good and evil, respectively. Such connotations vanished after the war as Western clothes became more common among Japanese women, and the contrast between Japanese and Western clothing came to represent the generation gap between mothers and daughters. However, no study has been conducted on the relationship between film costumes and different generations.This study determines how filmmakers use Japanese and Western clothes to illustrate women of different generations in postwar Japanese films. It focuses on the film costumes for Late Autumn（ 1960）, a film directed by Yasujirō Ozu, who was active from the late 1920s to the early 1960s, with his diary and the recollections of the film crew. Considering the technological influence of the colorization of images and the entry of fullfledged costume designers into the industry, this work analyzed the transformation of Western and Japanese costumes in the postwar period. The mother’s Japanese clothes and the daughter’s Western clothes showed commonality in their textiles and colors. Furthermore, the harmonious design of Japanese and Western clothes indicated a good relationship between mothers and daughters. | |||||||||
| 言語 | en | |||||||||
| 書誌情報 |
ja : 人間文化創成科学論叢 en : Journal of the Graduate School of Humanities and Sciences 巻 26, p. 1-9, 発行日 2024-03-31 |
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| 書誌レコードID | ||||||||||
| 収録物識別子タイプ | NCID | |||||||||
| 収録物識別子 | AA1231891X | |||||||||
| 出版タイプ | ||||||||||
| 出版タイプ | VoR | |||||||||
| 出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||||||
| 出版者 | ||||||||||
| 出版者 | お茶の水女子大学大学院人間文化創成科学研究科 | |||||||||
| 言語 | ja | |||||||||
