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<描写>を超えて : 大手拓次と象徴主義の冒険
http://hdl.handle.net/10083/2445
http://hdl.handle.net/10083/24457dc5c9ce-3016-4ded-87e5-a7dac7824a90
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
KJ00004831673.pdf (875.7 kB)
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| Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
|---|---|---|---|---|---|---|
| 公開日 | 2008-04-30 | |||||
| タイトル | ||||||
| タイトル | <描写>を超えて : 大手拓次と象徴主義の冒険 | |||||
| タイトル | ||||||
| タイトル | Beyond the Representation=Realism : OTE Takuji and The Poetics of Symbolism | |||||
| 言語 | en | |||||
| 言語 | ||||||
| 言語 | jpn | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | 象徴主義 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | アンチミメーシス | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | 再現=表現 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | symbolism | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | anti-mimesis | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | representation | |||||
| 資源タイプ | ||||||
| 資源 | http://purl.org/coar/resource_type/c_6501 | |||||
| タイプ | departmental bulletin paper | |||||
| 著者 |
内海, 紀子
× 内海, 紀子× UTSUMI, Noriko |
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| 著者(ヨミ) | ||||||
| 識別子Scheme | WEKO | |||||
| 識別子 | 78592 | |||||
| 姓名 | ウツミ, ノリコ | |||||
| 内容記述 | ||||||
| 内容記述タイプ | Other | |||||
| 内容記述 | OTE Takuji (1887-1934), the poet of symbolism in Modern Japanese, is mentioned frequently that he is a closed book, and sometimes being above our comprehension. Allowedly in his Aiiro-no-hiki (The indigo toad) and Toki-no-karasu (the ceramic raven) appears a certain obscuration-that is difficult to figure out 'what can be described in these poems?', 'What scenery are represented?' This obscuration is something that will be analysed in this paper as one type of the challenging mimesis=realism. In Watashi-no-shocho-shiron (My poetics of symbolism), OTE defined symbolism as the function of language and made his own methods of releasing language from any referents. Then OTE thought the olfactory and tactile sense is more important than the sense of sight in the many poems about scent and perfume ; The perfume of Tubereuse, The perfume of Heliotrope and The perfume of Lilac. Also he didn't describe the external worldand the internal imaginary world in these poems. His poetics can be interpreted as a criticism of symbolism in Modern Japanese that leaned towards a kind of realism. Concurrent to the above reading are\ OTE's poetics as a kind of challenging-his target being mimesis, is directly linked to realism, and its patronized attitude towards ocular-centred modernism. |
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| 書誌情報 |
人間文化論叢 巻 8, p. 2.1-2.9, 発行日 2005 |
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| ISSN | ||||||
| 収録物識別子タイプ | ISSN | |||||
| 収録物識別子 | 13448013 | |||||
| 書誌レコードID | ||||||
| 収録物識別子タイプ | NCID | |||||
| 収録物識別子 | AA11356899 | |||||
| フォーマット | ||||||
| 内容記述タイプ | Other | |||||
| 内容記述 | application/pdf | |||||
| 形態 | ||||||
| 875743 bytes | ||||||
| 日本十進分類法 | ||||||
| 主題Scheme | NDC | |||||
| 主題 | 051 | |||||
| 出版者 | ||||||
| 出版者 | お茶の水女子大学大学院人間文化研究科 | |||||
| 資源タイプ | ||||||
| 内容記述タイプ | Other | |||||
| 内容記述 | 紀要論文 | |||||
| 資源タイプ・ローカル | ||||||
| 紀要論文 | ||||||
| 資源タイプ・NII | ||||||
| Departmental Bulletin Paper | ||||||
| 資源タイプ・DCMI | ||||||
| text | ||||||
| 資源タイプ・ローカル表示コード | ||||||
| 03 | ||||||
| 所属 | ||||||
| 国際日本学専攻 | ||||||
