{"_buckets": {"deposit": "3c7ab434-d213-4596-adad-861799fb2ece"}, "_deposit": {"id": "41465", "owners": [], "pid": {"revision_id": 0, "type": "depid", "value": "41465"}, "status": "published"}, "_oai": {"id": "oai:teapot.lib.ocha.ac.jp:00041465", "sets": ["2195"]}, "item_11_biblio_info_8": {"attribute_name": "書誌情報", "attribute_value_mlt": [{"bibliographicIssueDates": {"bibliographicIssueDate": "2018-03-31", "bibliographicIssueDateType": "Issued"}, "bibliographicPageEnd": "68", "bibliographicPageStart": "59", "bibliographicVolumeNumber": "20", "bibliographic_titles": [{"bibliographic_title": "人間文化創成科学論叢"}]}]}, "item_11_description_46": {"attribute_name": "資源タイプ", "attribute_value_mlt": [{"subitem_description": "紀要論文", "subitem_description_type": "Other"}]}, "item_11_description_6": {"attribute_name": "抄録", "attribute_value_mlt": [{"subitem_description": "The aim of this study is to clarify how Nijinsky’s choreography, Le Sacre du Printemps was \naccepted and evaluated by the Parisians, through the analysis of reviews published from the premiere \nperformance date to the early following year in France. This investigation adopts two methods. One is \nQuantitative Contents Analysis, which calculates the appearance frequency of the words, and the other \nis Contents Analysis to confirm the phase of the arguing points.\nThe results are as follows: 1）The reviews contained pros and cons during the performance period, 2）\nthe music and the movement attracted of the audience, and the evaluations changed over time, 3）the \nmost characteristic review is of Jacques Rivière, which showed a particularly strong positive view. \nFurther developing the analysis, it was concluded that Le Sacre provoked the Parisians to reconsider \nthe conventional idea of the dancing body. Nijinsky’s choreography received negative comments from \nthe conservative critics who regarded dance as a symbol of civilized human body. On the other hand, \nliberal people such as Rivière eventually refute a value of expressiveness in natural and uncivilized \nhuman body. Therefore, Le Sacre was accepted as a pioneer of new dance, broaden the idea of the \ndancing body.", "subitem_description_type": "Abstract"}]}, "item_11_full_name_2": {"attribute_name": "著者(ヨミ)", "attribute_value_mlt": [{"nameIdentifiers": [{"nameIdentifier": "110743", "nameIdentifierScheme": "WEKO"}], "names": [{"name": "サトウ, マチコ"}]}]}, "item_11_publisher_36": {"attribute_name": "出版者", "attribute_value_mlt": [{"subitem_publisher": "お茶の水女子大学大学院人間文化創成科学研究科"}]}, "item_11_select_19": {"attribute_name": "著者版フラグ", "attribute_value_mlt": [{"subitem_select_item": "publisher"}]}, "item_11_source_id_11": {"attribute_name": "書誌レコードID", "attribute_value_mlt": [{"subitem_source_identifier": "AA1231891X", "subitem_source_identifier_type": "NCID"}]}, "item_11_text_47": {"attribute_name": "資源タイプ・ローカル", "attribute_value_mlt": [{"subitem_text_value": "紀要論文"}]}, "item_11_text_48": {"attribute_name": "資源タイプ・NII", "attribute_value_mlt": [{"subitem_text_value": "Departmental Bulletin Paper"}]}, "item_11_text_49": {"attribute_name": "資源タイプ・DCMI", "attribute_value_mlt": [{"subitem_text_value": "text "}]}, "item_11_text_50": {"attribute_name": "資源タイプ・ローカル表示コード", "attribute_value_mlt": [{"subitem_text_value": "03"}]}, "item_creator": {"attribute_name": "著者", "attribute_type": "creator", "attribute_value_mlt": [{"creatorNames": [{"creatorName": "佐藤, 真知子"}], "nameIdentifiers": [{"nameIdentifier": "110742", "nameIdentifierScheme": "WEKO"}]}, {"creatorNames": [{"creatorName": "SATO, Machiko", "creatorNameLang": "en"}], "nameIdentifiers": [{"nameIdentifier": "110744", "nameIdentifierScheme": "WEKO"}]}]}, "item_files": {"attribute_name": "ファイル情報", "attribute_type": "file", "attribute_value_mlt": [{"accessrole": "open_date", "date": [{"dateType": "Available", "dateValue": "2018-06-27"}], "displaytype": "detail", "download_preview_message": "", "file_order": 0, "filename": "7_sato_59-68.pdf", "filesize": [{"value": "425.9 kB"}], "format": "application/pdf", "future_date_message": "", "is_thumbnail": false, "licensetype": "license_free", "mimetype": "application/pdf", "size": 425900.0, "url": {"label": "7_sato_59-68.pdf", "url": "https://teapot.lib.ocha.ac.jp/record/41465/files/7_sato_59-68.pdf"}, "version_id": "d355d002-1214-4914-a17c-2fc5dac02360"}]}, "item_keyword": {"attribute_name": "キーワード", "attribute_value_mlt": [{"subitem_subject": "Vaslav Nijinsky ", "subitem_subject_scheme": "Other"}, {"subitem_subject": " Le Sacre du Printemps ", "subitem_subject_scheme": "Other"}, {"subitem_subject": " Les Ballets Russes ", "subitem_subject_scheme": "Other"}, {"subitem_subject": " choreography ", "subitem_subject_scheme": "Other"}, {"subitem_subject": " review", "subitem_subject_scheme": "Other"}]}, "item_language": {"attribute_name": "言語", "attribute_value_mlt": [{"subitem_language": "jpn"}]}, "item_resource_type": {"attribute_name": "資源タイプ", "attribute_value_mlt": [{"resourcetype": "departmental bulletin paper", "resourceuri": "http://purl.org/coar/resource_type/c_6501"}]}, "item_title": "ニジンスキー《春の祭典》（1913年）の受容とその評価", "item_titles": {"attribute_name": "タイトル", "attribute_value_mlt": [{"subitem_title": "ニジンスキー《春の祭典》（1913年）の受容とその評価"}, {"subitem_title": "The reception and the evaluation of Nijinsky’s Le Sacre du Printemps （1913）", "subitem_title_language": "en"}]}, "item_type_id": "11", "owner": "1", "path": ["2195"], "permalink_uri": "http://hdl.handle.net/10083/00062269", "pubdate": {"attribute_name": "公開日", "attribute_value": "2018-06-27"}, "publish_date": "2018-06-27", "publish_status": "0", "recid": "41465", "relation": {}, "relation_version_is_last": true, "title": ["ニジンスキー《春の祭典》（1913年）の受容とその評価"], "weko_shared_id": null}