WEKO3
アイテム
ニジンスキー《春の祭典》（1913年）の受容とその評価
http://hdl.handle.net/10083/00062269
http://hdl.handle.net/10083/000622693d8ca9b7-2f1d-4859-a0b1-edf6219c0bad
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
7_sato_59-68.pdf (425.9 kB)
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| Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
|---|---|---|---|---|---|---|
| 公開日 | 2018-06-27 | |||||
| タイトル | ||||||
| タイトル | ニジンスキー《春の祭典》（1913年）の受容とその評価 | |||||
| タイトル | ||||||
| タイトル | The reception and the evaluation of Nijinsky’s Le Sacre du Printemps （1913） | |||||
| 言語 | en | |||||
| 言語 | ||||||
| 言語 | jpn | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | Vaslav Nijinsky | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | Le Sacre du Printemps | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | Les Ballets Russes | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | choreography | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | review | |||||
| 資源タイプ | ||||||
| 資源 | http://purl.org/coar/resource_type/c_6501 | |||||
| タイプ | departmental bulletin paper | |||||
| 著者 |
佐藤, 真知子
× 佐藤, 真知子× SATO, Machiko |
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| 著者(ヨミ) | ||||||
| 識別子Scheme | WEKO | |||||
| 識別子 | 110743 | |||||
| 姓名 | サトウ, マチコ | |||||
| 抄録 | ||||||
| 内容記述タイプ | Abstract | |||||
| 内容記述 | The aim of this study is to clarify how Nijinsky’s choreography, Le Sacre du Printemps was accepted and evaluated by the Parisians, through the analysis of reviews published from the premiere performance date to the early following year in France. This investigation adopts two methods. One is Quantitative Contents Analysis, which calculates the appearance frequency of the words, and the other is Contents Analysis to confirm the phase of the arguing points. The results are as follows: 1）The reviews contained pros and cons during the performance period, 2） the music and the movement attracted of the audience, and the evaluations changed over time, 3）the most characteristic review is of Jacques Rivière, which showed a particularly strong positive view. Further developing the analysis, it was concluded that Le Sacre provoked the Parisians to reconsider the conventional idea of the dancing body. Nijinsky’s choreography received negative comments from the conservative critics who regarded dance as a symbol of civilized human body. On the other hand, liberal people such as Rivière eventually refute a value of expressiveness in natural and uncivilized human body. Therefore, Le Sacre was accepted as a pioneer of new dance, broaden the idea of the dancing body. |
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| 書誌情報 |
人間文化創成科学論叢 巻 20, p. 59-68, 発行日 2018-03-31 |
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| 書誌レコードID | ||||||
| 収録物識別子タイプ | NCID | |||||
| 収録物識別子 | AA1231891X | |||||
| 著者版フラグ | ||||||
| 値 | publisher | |||||
| 出版者 | ||||||
| 出版者 | お茶の水女子大学大学院人間文化創成科学研究科 | |||||
| 資源タイプ | ||||||
| 内容記述タイプ | Other | |||||
| 内容記述 | 紀要論文 | |||||
| 資源タイプ・ローカル | ||||||
| 紀要論文 | ||||||
| 資源タイプ・NII | ||||||
| Departmental Bulletin Paper | ||||||
| 資源タイプ・DCMI | ||||||
| text | ||||||
| 資源タイプ・ローカル表示コード | ||||||
| 03 | ||||||
