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  1. 紀要
  2. 人間文化創成科学論叢
  3. 20

The reception and the evaluation of Nijinsky’s Le Sacre du Printemps (1913)

http://hdl.handle.net/10083/00062269
http://hdl.handle.net/10083/00062269
3d8ca9b7-2f1d-4859-a0b1-edf6219c0bad
名前 / ファイル ライセンス アクション
7_sato_59-68.pdf 7_sato_59-68.pdf (425.9 kB)
Item type 紀要論文 / Departmental Bulletin Paper(1)
公開日 2018-06-27
タイトル
タイトル ニジンスキー《春の祭典》(1913年)の受容とその評価
タイトル
言語 en
タイトル The reception and the evaluation of Nijinsky’s Le Sacre du Printemps (1913)
言語
言語 jpn
キーワード
主題Scheme Other
主題 Vaslav Nijinsky
キーワード
主題Scheme Other
主題 Le Sacre du Printemps
キーワード
主題Scheme Other
主題 Les Ballets Russes
キーワード
主題Scheme Other
主題 choreography
キーワード
主題Scheme Other
主題 review
資源タイプ
資源 http://purl.org/coar/resource_type/c_6501
タイプ departmental bulletin paper
著者 佐藤, 真知子

× 佐藤, 真知子

WEKO 110742

佐藤, 真知子

Search repository
SATO, Machiko

× SATO, Machiko

WEKO 110744

en SATO, Machiko

Search repository
著者(ヨミ)
識別子 110743
識別子Scheme WEKO
姓名 サトウ, マチコ
抄録
内容記述タイプ Abstract
内容記述 The aim of this study is to clarify how Nijinsky’s choreography, Le Sacre du Printemps was
accepted and evaluated by the Parisians, through the analysis of reviews published from the premiere
performance date to the early following year in France. This investigation adopts two methods. One is
Quantitative Contents Analysis, which calculates the appearance frequency of the words, and the other
is Contents Analysis to confirm the phase of the arguing points.
The results are as follows: 1)The reviews contained pros and cons during the performance period, 2)
the music and the movement attracted of the audience, and the evaluations changed over time, 3)the
most characteristic review is of Jacques Rivière, which showed a particularly strong positive view.
Further developing the analysis, it was concluded that Le Sacre provoked the Parisians to reconsider
the conventional idea of the dancing body. Nijinsky’s choreography received negative comments from
the conservative critics who regarded dance as a symbol of civilized human body. On the other hand,
liberal people such as Rivière eventually refute a value of expressiveness in natural and uncivilized
human body. Therefore, Le Sacre was accepted as a pioneer of new dance, broaden the idea of the
dancing body.
書誌情報 人間文化創成科学論叢

巻 20, p. 59-68, 発行日 2018-03-31
書誌レコードID
収録物識別子タイプ NCID
収録物識別子 AA1231891X
著者版フラグ
値 publisher
出版者
出版者 お茶の水女子大学大学院人間文化創成科学研究科
資源タイプ
内容記述タイプ Other
内容記述 紀要論文
資源タイプ・ローカル
紀要論文
資源タイプ・NII
Departmental Bulletin Paper
資源タイプ・DCMI
text
資源タイプ・ローカル表示コード
03
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