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バレエの表現を伴う上肢動作が鑑賞者に与える主観的印象 ─審美性を中心に─
https://doi.org/10.24567/00063681
https://doi.org/10.24567/000636813a6d182f-e3ea-409a-ae68-b78683754a62
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
05_NINGENBUNKA-SOSEIKAGAKU-RONSO-22,p39-47.pdf (2.0 MB)
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| Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
|---|---|---|---|---|---|---|
| 公開日 | 2020-06-18 | |||||
| タイトル | ||||||
| タイトル | バレエの表現を伴う上肢動作が鑑賞者に与える主観的印象 ─審美性を中心に─ | |||||
| タイトル | ||||||
| タイトル | Influences on observers’ impression evaluations of the aesthetics of ballet movement: for upper-limb ballet movement imitating the flapping of swan wings | |||||
| 言語 | en | |||||
| 言語 | ||||||
| 言語 | jpn | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | 審美性 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | バレエの上肢動作 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | 印象評価 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | 鑑賞者の舞踊経験 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | 技術水準 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | Aesthetics | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | upper limb movement of ballet | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | impression evaluation | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | observer’s dance experience | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | performer’s skill level | |||||
| 資源タイプ | ||||||
| 資源 | http://purl.org/coar/resource_type/c_6501 | |||||
| タイプ | departmental bulletin paper | |||||
| ID登録 | ||||||
| ID登録 | 10.24567/00063681 | |||||
| ID登録タイプ | JaLC | |||||
| 著者 |
河野, 由
× 河野, 由× 水村(久埜), 真由美× KAWANO, Yui× KUNO-MIZUMURA, Mayumi |
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| 著者(ヨミ) | ||||||
| 識別子Scheme | WEKO | |||||
| 識別子 | 114195 | |||||
| 姓名 | カワノ, ユイ | |||||
| 著者(ヨミ) | ||||||
| 識別子Scheme | WEKO | |||||
| 識別子 | 114196 | |||||
| 姓名 | ミズノ(クノ), マユミ | |||||
| 抄録 | ||||||
| 内容記述タイプ | Abstract | |||||
| 内容記述 | This study aimed to quantify the aesthetics of upper limb movements by impression evaluation and clarify the influence of the observer’s dance experience and performer’s skill level on aesthetic evaluation. The three hypotheses examined are (1) The aesthetic evaluation of observers with dance experience is lower than that of observers with no dance experience; (2) Aesthetic evaluation involves an impression of the amplitude of movements; and (3) The aesthetic evaluation of movements of high-level dancers is higher than that of lowlevel dancers. A total of 36 animations were viewed by 72 observers (including 34 observers with dance experience). The observers rated movements by 21 item impressions using a 5-point semantic differential. In the animations, upper limb movements performed by 12 female dancers with different levels of ballet experience were captured with a video camera. The impression evaluation scores for each animation were averaged, and each score was investigated for an association with aesthetics, using the correlation coefficient. The scores were also compared with the observer’s dance experience or performer’s skill level. In the results, while hypothesis (2) and part of hypothesis (3) were proved, hypothesis (1) was denied. This corroborates the relationship between aesthetic perception and movement characteristics. |
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| 書誌情報 |
人間文化創成科学論叢 巻 22, p. 39-47, 発行日 2020-03-31 |
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| 書誌レコードID | ||||||
| 収録物識別子タイプ | NCID | |||||
| 収録物識別子 | AA1231891X | |||||
| 著者版フラグ | ||||||
| 値 | publisher | |||||
| タイトル（ヨミ） | ||||||
| その他のタイトル | Journal of the Graduate School of Humanities and Sciences | |||||
| 出版者 | ||||||
| 出版者 | お茶の水女子大学大学院人間文化創成科学研究科 | |||||
| 資源タイプ | ||||||
| 内容記述タイプ | Other | |||||
| 内容記述 | 紀要論文 | |||||
| 資源タイプ・ローカル | ||||||
| 紀要論文 | ||||||
| 資源タイプ・NII | ||||||
| Departmental Bulletin Paper | ||||||
| 資源タイプ・DCMI | ||||||
| text | ||||||
| 資源タイプ・ローカル表示コード | ||||||
| 03 | ||||||
