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オペラ《アルフレッド王》WoO14 : 作曲から初演まで（1849～1851年）の経緯
http://hdl.handle.net/10083/00062268
http://hdl.handle.net/10083/00062268b8094452-3063-4b4e-a996-5cd33d815a92
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
6_kurawaki_49-58.pdf (448.4 kB)
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| Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
|---|---|---|---|---|---|---|
| 公開日 | 2018-06-27 | |||||
| タイトル | ||||||
| タイトル | オペラ《アルフレッド王》WoO14 : 作曲から初演まで（1849～1851年）の経緯 | |||||
| タイトル | ||||||
| タイトル | König Alfred WoO14 : Circumstances leading to its composition and premiere (1849-1851) | |||||
| 言語 | en | |||||
| 言語 | ||||||
| 言語 | jpn | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | Joachim Raff | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | König Alfred | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | the Revolutions of 1848 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | revision | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | Franz Liszt | |||||
| 資源タイプ | ||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
| 資源タイプ | departmental bulletin paper | |||||
| 著者 |
倉脇, 雅子
× 倉脇, 雅子× KURAWAKI, Masako |
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| 作成者(ヨミ) | ||||||
| 識別子Scheme | WEKO | |||||
| 識別子 | 110740 | |||||
| 姓名 | クラワキ, マサコ | |||||
| 抄録 | ||||||
| 内容記述タイプ | Abstract | |||||
| 内容記述 | The opera König Alfred WoO14 (1848-49) (hereafter Alfred) was written by Joachim Raff (1822-88). The study of Raff has been mainly of his symphonies. The question then arises about his work on other genre, namely opera. The purpose of this paper is to reveal details leading to the completion of the opera and its first performance. The following results were obtained. First, as for the postponement of the opera, there was the effect of the Revolutions of 1848, and the popularity of the theme, “Alfred” markedly waned as well. Secondly, the revision of the opera by Raff has close ties with three important styles, namely Schumann, Meyerbeer and Wagner. Thirdly, Raff owes his premiere (1851) to Liszt in many ways, and moreover, I could say that one of the other reason why the premiere was successfully carried out is because there was understanding for such new operas in Weimar. These results lead to the conclusion that Alfred, from the viewpoint of its musical contents as well as of the historical context, reflects the turning point of the times. |
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| 書誌情報 |
人間文化創成科学論叢 巻 20, p. 49-58, 発行日 2018-03-31 |
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| 書誌レコードID | ||||||
| 収録物識別子タイプ | NCID | |||||
| 収録物識別子 | AA1231891X | |||||
| 著者版フラグ | ||||||
| 値 | publisher | |||||
| 出版者 | ||||||
| 出版者 | お茶の水女子大学大学院人間文化創成科学研究科 | |||||
| 資源タイプ | ||||||
| 内容記述タイプ | Other | |||||
| 内容記述 | 紀要論文 | |||||
| 資源タイプ・ローカル | ||||||
| 値 | 紀要論文 | |||||
| 資源タイプ・NII | ||||||
| 値 | Departmental Bulletin Paper | |||||
| 資源タイプ・DCMI | ||||||
| 値 | text | |||||
| 資源タイプ・ローカル表示コード | ||||||
| 値 | 03 | |||||
