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昭和初期における長崎の「ぶらぶら節」と西條八十の接点 ─「民謡の旅」の記事を中心に─
https://doi.org/10.24567/00063688
https://doi.org/10.24567/000636887841056b-41eb-4f39-aea8-19966512a12b
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
12_NINGENBUNKA-SOSEIKAGAKU-RONSO-22,p105-115.pdf (3.1 MB)
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| Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
|---|---|---|---|---|---|---|
| 公開日 | 2020-06-18 | |||||
| タイトル | ||||||
| タイトル | 昭和初期における長崎の「ぶらぶら節」と西條八十の接点 ─「民謡の旅」の記事を中心に─ | |||||
| タイトル | ||||||
| タイトル | Nagasaki’s banquet song (Ozashiki-uta) “Burabura-bushi” and Saijo Yaso’s involvement in it in early Showa period: with special respect to his newspaper article series“ Travel through folk songs” | |||||
| 言語 | en | |||||
| 言語 | ||||||
| 言語 | jpn | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | ぶらぶら節 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | 検番 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | 西條八十 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | 民謡の旅 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | 昭和初期のレコード発売 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | Burabura-bushi | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | Kenban | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | Saijo Yaso | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | Travel through folk songs | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | record production in early Showa period | |||||
| 資源タイプ | ||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
| 資源タイプ | departmental bulletin paper | |||||
| ID登録 | ||||||
| ID登録 | 10.24567/00063688 | |||||
| ID登録タイプ | JaLC | |||||
| 著者 |
安原, 道子
× 安原, 道子× YASUHARA, Michiko |
|||||
| 作成者(ヨミ) | ||||||
| 識別子Scheme | WEKO | |||||
| 識別子 | 114216 | |||||
| 姓名 | ヤスハラ, ミチコ | |||||
| 抄録 | ||||||
| 内容記述タイプ | Abstract | |||||
| 内容記述 | Burabura-bushi is a folk song that has been inherited as banquet song (“Ozashiki-uta”) in Nagasaki until today. It was first mentioned in July, 1930, in Osaka Asahi Shinbun newspaper in an article series “Travel through folk songs” by Saijo Yaso (which namely includes his documentary article “Burabura-bushi in Nagasaki”). This newspaper covered the regions west of Osaka, which rendered the song enough known to a prominent number of its readers in West-Japan. This event was followed by the issuing of two of the song’s record discs in the following years: one in September, 1930, and the other in May, 1931, both performed by Nagasaki’s Geishas. The recording companies were Nipponohon and Victor respectively, both of which were the nationalwide companies in disc production industry. These facts contributed to the song’s coming out of the closed ambience of banquet room to get diffused to a larger public by means of disc and radio medias and to consequently get wider popularity among people in whole Japan. This thesis has as its object to analyse which effect Saijo’s encounter with the song had on the historical process of inheriting it by focusing on his above mentioned newspaper article. |
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| 書誌情報 |
人間文化創成科学論叢 巻 22, p. 105-115, 発行日 2020-03-31 |
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| 書誌レコードID | ||||||
| 収録物識別子タイプ | NCID | |||||
| 収録物識別子 | AA1231891X | |||||
| 著者版フラグ | ||||||
| 値 | publisher | |||||
| タイトル（ヨミ） | ||||||
| その他のタイトル | Journal of the Graduate School of Humanities and Sciences | |||||
| 出版者 | ||||||
| 出版者 | お茶の水女子大学大学院人間文化創成科学研究科 | |||||
| 資源タイプ | ||||||
| 内容記述タイプ | Other | |||||
| 内容記述 | 紀要論文 | |||||
| 資源タイプ・ローカル | ||||||
| 値 | 紀要論文 | |||||
| 資源タイプ・NII | ||||||
| 値 | Departmental Bulletin Paper | |||||
| 資源タイプ・DCMI | ||||||
| 値 | text | |||||
| 資源タイプ・ローカル表示コード | ||||||
| 値 | 03 | |||||
